Reconstructing the constructed

Over the last week I have been revisiting an old work of mine, re-orchestrating, re-arranging and re-discovering. What a blast. I have never done it before, well not to this degree where I have completely left it for several years. In some ways it is rather strange, to revisit what I was thinking – the way I orchestrated seems rather odd, but back then I thought it was marvelous. I have:

  • Taken out some chunks, added a few bars and written a new ending.
  • Removed some of the percussion instruments and have incorporated that material into other instruments.
  • Stripped some passages right back and have re-grown with some new material.
  • Overall I have refined the orchestrations, which I was never truly happy with, and have made it a much sturdier piece.

I generally like to leave a piece once it’s done, and give my energy to a new project. But, since I was given the opportunity, I have greatly enjoyed the process and have learnt truckloads. The piece is definitely still the piece it always was, but now it has a little extra spice, character and finesse.

The piece is Guardians of the North, which was written for, and premiered by the Opononi Music Summer School in 2007 with help from Creative New Zealand funding. This thoroughly revised version will be performed by the Auckland Wind Orchestra on the 18th October, 2009 at Aotea Chapel on Queen St in Auckland.

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New commission for the 2010 ERUPT Lake Taupo Festival

The ERUPT Lake Taupo Festival and I were very lucky to be one of the two recipients of the 2010 SOUNZ Community Commission. This new piece will be premiered at the 2010 festival and will involve several groups from Taupo’s rich cultural community. I will travel to Taupo in September to meet the people and groups and then the work begins!

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A concert of New Zealand wind music

I will be conducting a concert of New Zealand wind music with the Auckland Wind Orchestra on 18th October 2009. This will be a wonderful event as we present some of the finest New Zealand works for wind orchestra.

The programme will include music by Yvette Audain, Matthew Crawford, David Woodcock, Philip Norman, Christopher Marshall and myself. Further details will follow.

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An artaculous revolution?

The other day I came across a new social networking website. Yes, I know, ANOTHER. But I noticed that this is for artists and artists only. So I checked it out – it’s called artaculous.com:

‘A new place for art & culture – the online art revolution starts here’

This ‘networking for artists’ is definitely not a new thing. For several years I have been a member of nextcat.com, whose tagline is ‘it’s all about who you know’. The idea is to connect with people in the industry, both with your area of expertise, but also studios, collaborative connections and so on. Anyway, I haven’t had much success there, especially not compared to more general sites such as myspace and facebook.

Artaculous was launched in November 2008, has spent this year working its way into the the online arena and as of July this year they are boasting about 4,000 members. They have some good ideas, linking in sites such as twitter, but doesn’t go as far as inward rss feeds (such as for the blog), which is annoying. The interface is nice in some ways, very clean, but some things don’t quite happen as you’d expect. I have only just set up my profile there, so these are definitely just ‘first look’ remarks. It does look promising, and I’ll be happy to spend some time there. Decent people and organisations are getting on board there also, I even saw SOUNZ from here in NZ has set up their profile.

I wanted to introduce it to those of you who may be interested, and also to see if any of you have had any connection with the site, I’d be very interested to hear from you. So, an artaculous revolution? We’ll see. Enjoy exploring.

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A South American odyssey

On November 26 my wife and I depart for 45 days in Chile, Argentina, Bolivia, Uruguay and Brazil. As well as a personal trip, I will be visiting composers and musicians along the way and it will end with a week in Brazil with the wonderful conductor, composer and arranger, Alexey Kurkdjian. We will be working on a very special project together, details on that soon.

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