Good news! I have a couple of spots available for private music tuition – more details at the bottom.
“Teaching is the greatest act of optimism.” – Colleen Wilcox
I’m a sucker for a good quote and this one made me smile. As anyone who has taught will know, you’ve always got to be tremendously optimistic about the potential your students can achieve. And… it’s always great when it pays off.
Every week I try to keep it real by teaching/tutoring/mentoring around town. It’s always a mixed assortment of opportunities, over the last few months it’s looked like this:
MAINZ, Central Auckland – I give an annual lecture on string arranging. This is really enjoyable as I get to share some of the arrangements I’ve worked on, and the students love analysing them and seeing what techniques they can use in their own work. This year the class seemed to have doubled in size, so that’s a great sign for them. Continue reading “Partaking in the greatest act of optimism”
Back in October 2015 Rhian Sheehan asked me to help out on the music he was writing for a new rollercoaster ride at Ferrari World in Abu Dhabi. Yesterday it all came to fruition with five hours of recording down in Wellington with some of NZ’s finest musicians.
There was a 10-piece brass section and 19-piece string section from Stroma FilmWorks. Absolute credit must go to these amazing musicians who perform at such an incredible level, yet between cues are so friendly and enjoyable to work with. Continue reading “Recording Mission Ferrari”
Let’s be honest, we always proceed cautiously when someone asks you for a favour… but when they’re asking you to go to Hawaii it’s a completely different story! I’m in, 100%.
To make it even better, it was with the wonderful students and staff of the Rangitoto College Music Department, conducting their concert band for a friend who sadly could no longer go. Also on the tour was the orchestra, chamber orchestra and big band.
We were there as part of the Pacific Basin Music Festival, with groups from USA, Philippines, Australia and New Zealand – about 700 people in total. Events were at the Sheraton Waikiki, Pacific Beach Hotel and Hawaii Theatre, as well as performances at the incredible Ala Moana Shopping Centre, as well as the Hard Rock Cafe for the big band. Continue reading “Hawaii!”
It’s not often you score a nationwide tour with the New Zealand Symphony Orchestra, but that’s just what the Modern Maori Quartet have done and they’re going all out commissioning arrangements from several fantastic New Zealand composers: Claire Cowan, Chris Gendall, Anonymouz, Gareth Farr, Mahuia Bridgman-Cooper, Robbie Ellis and Mark Dennison,
I have thoroughly enjoyed preparing five of these new arrangements – those by Mahuia Bridgman-Cooper and Anonymouz, along with some additional orchestration.
They’re touring to 12 centres in February and March. It will be impressive, get a ticket here.
I would never give up an opportunity to travel. So when it looked like I could take a week to make it to London (to meet my wife before our Spanish adventure…!), I went for it.
First stop, Los Angeles. There I met with some very fine people in the music biz that until now I’ve never been able to meet in person. The aim of course to keep strong connections and talk possible future work.
There’s things to love about LA, and things to drive you completely loopy, but what you gotta admire is the vibe that anything is possible. Most people are there to make their dreams come true, not surprisingly mostly as actors, but what’s awesome is that there is so much opportunity for that to happen. And for the bulk of whom are still waiting, they’re still friendly, still optimistic and still driving Ubers – and they’re okay with that.
Continue reading “A week in LA and London”
Some friends of mine have just put on a most fascinating show at Auckland’s Tepid Baths, Shoes Extravaganza.
Everyone will no doubt have heard of the Wearable Arts show in Wellington. Well this is that, but for shoes. Annie Tatton is the brains behind the operation and she asked me to be involved with the music after hearing my work with the Auckland Symphony Orchestra.
The concept of the music within the show took so many directions throughout the journey with Annie and choreographer Nansi Thompson. What a joy to be a part of these minds coming together as they crafted their vision.
Continue reading “Shoes Extravaganza 2016”
Well, another year has come to an end. A massive thank you to everyone who has made this year a great one. It’s been busy for sure, so much so that my newsletter and blog posts took a forced rest. I hope to write about a few of those things I’ve been up to in the coming weeks, so keep an eye out for that. In the meantime, I’m taking a holiday. The car is packed, Christmas Day awaits us tomorrow and summer fun looms.
This time last year my wife and I went to Midnight Mass at Salzburg Cathedral and the absolute highlight was hearing Silent Night sung by candlelight, as it was originally intended, in the town it was written. I took a field recording, have a listen below, it’s extraordinary.
Continue reading “Christmas greetings!”
I had the great pleasure of working on the Mahuia Bridgman-Cooper and Tama Waipara score for Mahana – a new feature film opening in cinemas on March 3. It’s directed by Lee Tamahori and based on the Bulibasha book by Witi Ihimaera. The best place to read more about it is probably the movie Facebook page, so check that out.
I was doing the music preparation, some orchestration and also flew to Wellington for the main day of recording to ensure everything worked a treat.
The score is really stunning, has a unique New Zealand flavour and it’s so great to see new voices coming through in New Zealand film scoring. It was my first time working with Mahuia and I definitely hope not the last.
Continue reading “Preparing for Mahana”