2011 through the eyes of a blog

And just like that, another year is gone! Here is a look at my posts for the year. thinking web picThe blogging year started in March with my favourite book arriving, "Behind Bars", which I preordered in 2010. It is definitely the most used book on my shelf! I then talked about two approaching projects:

In April I introduced my new work, "blimp", and reviewed two projects - a song I helped a friend create and my work at the BOP music school:

May was a busy month, so in June I talked about what I had been up to - writing 31 microscores and the premiere of "blimp":

In July I posted the video I worked on with Sideways Productions:

In August and September I covered my involvement in the KBB Music Festival and some composition tutorials that I held in Kerikeri:

October was the kick off of the Rugby World Cup here in New Zealand, I talked about my involvement in the opening ceremony and also made a post about what exactly I do when "preparing music" and why you would need someone like me to do it:

December means Christmas and I posted some Christmas carols that I prepared for my students. I also composed a new "holiday" piece for my Christmas post:

Happy New Year everyone, bring on 2012!

An exploration "Behind Bars"

A few days ago, "Behind Bars", the new book by Elaine Gould, arrived in the post. Have I ever been so happy for a book to arrive? Probably not. Have I had a spring in my step ever since? Possibly. Have I taken it to bed to read most nights? Unashamedly yes! Did my heart warm when I read a few lines of the index? Indeed. Is my excitement justified? Absolutely.

"... an extraordinary achievement... I would pray that it becomes a kind of Holy Writ for notation in the coming century..." - Sir Simon Rattle

Behind Bars

It is subtitled as the definitive guide to music notation and is already regarded as the most comprehensive authority on the subject. The brochure (see PDF link below) sets the scene well:

"Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s ... it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this timely book will support the endeavours of software users and devotees of hand-copying alike ... Supported by 1,500 music examples of published scores from Bach to Xenakis, this seminal and all-encompassing guide encourages new standards of excellence and accuracy."

It has been thirty years since the last major book on music notation. Practices have changed hugely since then and so the need for such a book is well overdue. Elaine talks about the development of the book, which started in 1990, in this great interview on the Sibelius Blog.

behindbarscoverThe book is divided in to three sections 1) general conventions, 2) idiomatic notation, and 3) layout and presentation. My favourite parts are probably some of the insights in the idiomatic writing sections, such as writing for the classical guitar. Also, the sections on notating electroacoustic music and on freedom and choice - cadenzas, ad lib. passages, independent repetition and so on - as until now there has been no authority on these areas. The cross-referencing is super effective and seamlessly done, and because it is so concise I know it will be the go-to book for everything I do for many years to come.

"With the explosion of music publishing software in recent years, the need for authoritative guides on music notation has never been more pressing. ... Elaine Gould's book is bound to be a hallmark of best notation practice. I fully imagine it will become the bible of music creators everywhere." - Matthew Hindson (Australia)

When typesetting and preparing music there are hundreds, often thousands, of decisions that are made. Taking time to think about each one and not having a definitive answer from today's music prep standards can be very time consuming. The confidence that each of the 704 pages will provide is priceless.

"We have all been eagerly awaiting Elaine's monumental study. Those who have had as many years of her editorial guidance as I have will concur that she is clearly the one person with the requisite breadth and length of experience to render a balanced and penetrating view of the chaotic world of notation as it currently exists." - Jonathan Harvey (UK)

If you are interested in reading further, see the promotional brochure here (PDF), the website here or the article I mentioned above here. Or, just order your copy!

14 music books free to a good home!

Hi everybody, the following list of 14 music books (pictured above) are free to a good home. I have picked them up over the years (all second-hand-bookshop-type condition) and despite carting them to one end of the country and back (don't ask why), I simply have not used them. Here are the titles:

  • The well-tempered String Quartet - Bruno Aulich & Ernst Heimeran
  • A Short Guide to Long Play - Martyn Goff
  • The Symphony - Ralph Hill (ed.)
  • Invertible Counterpoint and Canon - C. H. Kitson
  • A Dictionary of Music - R. Illing
  • Stories of Famous Operas - Harold Vincent Milligan
  • Chamber Music - Alec Robertson (ed.)
  • Sounds and Signs: Aspects of Musical Notation - Hugo Cole
  • The Complete Opera Book: The Stories of the Operas, together with 410 of the Leading Airs and Motives in Musical Notation - Gustav Kobbe
  • The Class Music Teacher - Charles Proctor
  • Music in the Medieval World - Albert Seay
  • Music in the Renaissance - Howard M. Brown
  • A Music Guide for Schools - Priestley and Grayson
  • Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time - Nicolas Slonimsky

I am in Auckland and you would need to pick them up. Send me an email or comment if you are interested.