A festival, a premiere, an award

My annual pilgrimage to the KBB Music Festival was a little more exciting this year. Firstly, a new premiere!

Grammar Virtuosi, from Auckland Grammar School, commissioned me to write a new work for strings and percussion this year to mark the anniversary of when Grammar men went to the battle of Passchendaele in the first world war. It's called Foray.

"foray: a sudden attack or incursion into enemy territory"

It's been great popping along to some of their rehearsals and working with them on the piece, once such occasional pictured above. Huge thanks to their director, James Donaldson, and tutor, Boris Kipnis, for their tremendous support of the piece.

Secondly, a bonus performance!

St Cuthbert's College Concert Band and their wonderful director, Sally Tibbles, gave another performance of my piece, Bubble. I wrote this piece several years ago for the Bay of Plenty Music School and it's had several outings since then. It's a cool little piece and I am SO happy it got a performance by this group.

Thirdly, a gold award!

Let's start at the very beginning.

The Rangitoto College Concert Band is directed by the tremendous Beverley Brockelbank. Unfortunately she was away on tour with another school and was unable to conduct them, so I got the call.

Hold the truck! 'Déjà vu', I hear you say? Yes. Spot on. Earlier this year Bev was unable to take them to Hawaii, so I had that arduous(!) task. Reminisce with me here...

http://www.ryanyouens.com/2017/04/09/hawaii

So anyway, back to KBB. Bev and I worked together with the group in the lead up to the festival and then I took them through festival week.

They performed SO WELL. Like, completely blew my socks off. And they were awarded with a very shiny GOLD award. Hugely proud. Here are some pics:

Next year I may well be back to my committee duties of managing the website, online entries and honours programme, but I'll do my best to make it another extra exciting one.

Going digital with forScore

While conducting the wind band at the recent Bay of Plenty Music School I finally had the chance to test using digital scores. I’ve always been intrigued - have already blogged about it twice - but only with a new iPad have I had the chance of taking the full digital leap. Here are my thoughts... GETTING UNDERWAY

An iPad Air 2 sits, charged, ready for action. I already had some of the scores as PDFs which was a great start. Then I scanned the rest using Scanner Pro which kindly then drops the file into my Dropbox. Then in comes forScore - a sheet music reader app and the absolute hero of the equation - I import the files straight from Dropbox and then it’s all ready to go.

WHAT I LOVED

• Magnetic to stand - my iPad lives in an Apple Smart Case and to my surprise it latches itself to a metal stand so you can place it nice and high and it won’t fall off if knocked.
• Markings and highlights - I had loads of fun marking up my score, highlighting and bringing out the important info (see photo).
• Linking - okay, so we’ve got repeats and codas and so on - I set up links so you just click on the spot and it will take you there immediately. Fantastic.
• Metronome markings - not so much during the rehearsal, but while I was looking at a score in downtime, I really appreciated having the built-in metronome set on the tempos for each score.
• Setlist - once I knew the concert order I made a setlist and everything was there ready to go and flows from one score to the next. You can even remove title pages from each score so it’s just what you need.
• Plenty more features to explore in the future - you can bring up an onscreen piano to perhaps play a passage, you can click to record your ensemble playing, and much more.

WHAT I LEARNED

• No auto contrast - we rehearsed in a room with loads of natural light. During a massive climax in a piece the sun went behind a cloud, the room went dark and so did the screen on the iPad... couldn't see a thing. Lucky I knew the score, and I turned off the auto contrast after that.
• Battery life - to be honest, if the iPad isn’t on WIFI then that battery will last for ages. But, I took this for granted and late afternoon I needed an emergency trip back to the motel to pick up the charger.
• The screen size - I understand this will be an issue for some, but it really didn’t bother me. While it is obviously a little smaller than an A4 page, the clarity of the retina display made everything so clear and with the annotation, you can easily highlight what is important or write on the score in any colour of the rainbow. And of course with a quick gesture you can easily zoom in to more closely analyse a chord, rhythm or whatever.

WITH OTHER HATS ON

• As a composer/arranger and general creator of many (many!) scores, I used to print them constantly just to take to rehearsals for reference and to write on. I’d then look at the comments at home before putting it straight into the recycling. Not anymore… used digital scores at a recent rehearsal with the Auckland Philharmonia and it works a treat.
• As a teacher, having a variety of material available to students is important as well as having reference scores and so on. The close integration forScore has with Dropbox (or Google Drive or iCloud Drive) makes this usage even more trippy.

FINAL VERDICT

I thought there would be issues, but that the connivence of it would outweigh them. But, apart from those obvious things to consider with any digital device, it’s a dream. It's fast, effective, a little flash, and I think the best thing is that, as I briefly mentioned, I once printed excessive amounts of music at home - but now I print barely anything. Yay, save the planet! I'm a complete convert.

Bay of Plenty Music School, Taupo 2015

Last weekend was the Bay of Plenty Music school and what a great weekend to be in Taupo making music. It was my fifth year conducting the wind band and it was perhaps the biggest band we've had yet. We focused on these beauties...

• Arabesque - Samuel R. Hazo
• Earth Song - Frank Ticheli
• The Great Locomotive Chase - Robert W Smith

...and had a few others in the mix also. While we were a bit short on full band rehearsal time this year, we managed to pull together a great sound and have loads of fun doing so.

This year I ditched real scores and went digital - what a revelation. You can read more about this in my post here: Going digital with forScore.

The orchestra, conducted by Rupert D'Cruz, and the choir, conducted by Peter Watts, also did some wonderful work.

After two years in Taupo, next year it moves to Whakatane and is on the weekend of 22nd to 24th April (ANZAC weekend). Mark it in your diaries!

Here are some pics from the weekend taken by Skylar Orr...

Plenty of music for Music Month

Well it's the last day of NZ Music Month, so that's a good excuse to post about a few projects I've been working on lately. I've been a bit quiet online in recent months so here's a good chance to make up for that.

Picture This! is a new work I've written for the Long Bay College Concert Band. They won gold at the KBB Music Festival last year so a new work had to take shape! I spent last weekend with them at their rehearsal camp and had loads of fun. Look out for Picture This! at this year's festival.

My friends at Diocesan School for Girls have commissioned two new works for their groups:

I ask of you no poetry is for their award-winning elite choir, St Cecelia Singers, and is written for SSA choir, handbells and organ (with text by Madeleine Ballard). Kiwi in Appalachia is for their chamber ensemble consisting of flute, Bb clarinet, bass clarinet, bassoon, 2 violins, viola and piano (cello part also available). It's a standalone piece but for this group was written to be used in conjunction with my arrangement of Copland's Appalachian Spring. I'm hoping to get along to see some rehearsals soon and will post some performance dates when available.

I have also just written Unwrapped for the St Matthew's Chamber Orchestra which was premiered last Sunday. I've written about it here, check it out.

Back in April was the 48Hour Film Festival and although we didn't get far this year with our film, On The Rocks, it was great to work with the guys from Sideways Productions once again. The music turned out nicely (finally, I got to use almost all strings!) and I later arranged it into a one movement work - listen here:

[soundcloud url="https://api.soundcloud.com/tracks/146068564" params="color=ff5500&auto_play=false&hide_related=false&show_artwork=true&show_comments=false&show_user=true&show_reposts=false" width="100%" height="166" iframe="true" /]

Another film by these guys that I did the music for, Sounds Perfect, was screened at the Cannes Film Festival during May - I posted about it here, check it out.

In conducting news I had a great weekend down at the Bay of Plenty Music School working with the concert band. I was so happy with the standard they reached - read about my weekend here. I'm also currently working with the Auckland Symphony Chorus - preparing them for the Auckland Symphony Orchestra's hugely popular "Night of the Proms" concerts at the end of June. Great to have "Song of the Lonely Mountain" as part of the programme - a song I did the preparation of for "The Hobbit" movie two years ago.

That's all for now. A few other projects on the go, but I'll save those for a future post!

Music school magic!

I am just back from working with the concert band at another superb Bay of Plenty Music School. What a great weekend - there is something so great about gathering at the beginning of a weekend, meeting new people, working hard and presenting a wonderful concert together on Sunday before returning for another week of the real world.

I had a really fantastic group this year including a solid contingent from Auckland University which gave great depth to our woodwinds in particular. We ditched the easier pieces and launched into the challenging repertoire and with fine results - our set at the concert was so tight and I think the most technically advanced and polished performance since I've been conducting the group.

Our concert set was:

• Stalter – Ignition
• Shostakovich – Folk Dances
• Berlin – Alexander’s Ragtime Band
• Kahelin – Clown Act

There was also some wonderful results in the orchestra (David Adlam) and choir (Peter Watts), as well as some impressive combined performances - which I was most happy to hand the baton on for this year and feature only in the percussion section!

The combined works were:

• Mendelssohn - Hebrides Overture
• Mozart - Requiem (excerpts)
• Copland - Hoedown
• Brahms - Symphony No.3

Congrats to the Taupo organising committee for a very fine job, thanks to all the players for your efforts and I hope to see you all again next year!

Bay of Plenty Music School hits Taupo

I'm super excited about the Bay of Plenty Music School this year as it hits the shores of Lake Taupo. This year will be the 45th year of its existence making it the largest surviving music school in New Zealand which is fantastic.

I am conducting the concert band once again and our repertoire includes:

• Stalter - Ignition
• Shostakovich - Folk Dances for Concert Band
• Whitacre - Seal Lullaby
• Williams - Theme from ET
• Kahelin - Clown Act
• Berlin - Alexander's Ragtime Band

Some really great pieces which I look forward to putting together with everyone.

It's going to be great to get back to Taupo - one of my favourite places. In 2010 I worked with six of the school and community groups to create Moana Ataahua for the ERUPT Lake Taupo Festival (read more) - a project made possible by the SOUNZ Community Commission. I've been back several times since giving workshops (read more).

My two fellow conductors are David Adlam (orchestra) and Peter Watts (choir) and I know they have some wonderful repertoire to share with their groups.

It's on the 25th-27th of April and will be held at Taupo-nui-a-Tia College and the Anglican Church of St Andrew. If you're interested in attending visit the music school website for all of the information and registration details.

See you there!

BOP Music School photos

Had another great time conducting at the Bay of Plenty Music School a few weeks back. Great musicians, excellent music and wonderful fellow conductors made it loads of fun once again. Here are some photos from the weekend - all are by Lawrence Yang.

Here's my original post introducing this year's music school.

Bay of Plenty Music School 2013

In just over a month's time the Bay of Plenty Music School will be about to kick off for another year. This is a fantastic weekend of music making and, as it was last year, will be held in beautiful Rotorua. This year the conductors are Peter Thomas (symphony and string orchestra), David Squire (choir) and myself (wind orchestra).

The wind orchestra pieces will include:

• Arlen - The Wizard of Oz
• Ewazen - Celtic Hymns and Dances
• Copland - Down a Country Lane
• Schönberg - Les Miserables (Highlights from)
• Bernstein - Candide Overture (combined with the symphony orchestra)

Some of the other highlights will include:

• Lilburn - 4 Canzonas (string orchestra)
• Tchaikovsky - Romeo & Juliet Overture (symphony orchestra)
• Verdi - Triumphal March from Aida (combined choir and orchestra)

It's being held from April 26th to 28th - clear your weekend, gather your mates and register here.

I survived 2012. This is how it was!

The New Year means it's time to have a look back over the past year and see, through my blog posts, what has taken shape and what I have to say for myself! January started with a very well deserved "Shout-out to VaultPress" after they marvellously got my website back up and running after a meltdown!

February is the start of the school term and I posted about the preparation work I do for schools.

My typing fingers must have been tired at the end of March - it started with two popular posts, iOS apps for music professionals and Digital music stands vs iPads, following on from, again, two very popular posts I did in 2010.

Following that were four posts on current projects - "Working on workshops" looked at some teaching workshops I was involved with, "An opportunity to make the floor rumble" talked about my upcoming new work for the Auckland Philharmonia and the Auckland Town Hall Organ. I conducted at the Bay Of Plenty Music School once again and my post, "Bay Of Plenty music school hit Rotorua!", pre-empted my visit there, and finally "Opening up an orchestra" reviewed the first two Auckland Philharmonia Open Days were I ran the "meet the composer" area.

In April I reviewed my time at the Bay Of Plenty Music School in "Making music in Rotorua" and posted photos in "Checking out the pipes" after an inspiring tour of the Auckland Town Hall Organ.

May is music month and "A month of New Zealand music" checked out the events me or my music was involved with. It's also 48 Hour Film Festival time and our film this year was "My Confession…".

In June I talked about my involvement with Auckland Symphony's "Night Of The Proms" concerts in "Promenading in the colony" and I posted "Questions for a composer" after answering questions for a student's school assignment.

In July I posted my one word review of each piece from the "Nelson Composers Workshop 2012" where I was very happy to go this year as a mentor.

August is KBB Music Festival time and I also posted on the ongoing saga regarding the future of Sibelius in "What the heck is happening with Sibelius!". My piece, Tiraki, started to take shape after another workshop with the Auckland Philharmonia.

September was rather dormant on the blog front but in October I reviewed “What Lurks Among Saints” after being invited by a student I met earlier in the year.

In November I had the privilege of "Playing my role in The Hobbit: An Unexpected Journey", and I posted about the experience.

December was busy with a number of projects. In "Little pieces of Christmas" I talked about a bunch of Christmas arrangements I did for the Auckland Philharmonia and Auckland Symphony orchestras. I also talked about a film I was involved with, called "Sounds Perfect" and its selection into the Tropfest final in “Sounds Perfect” to be in a final". I then prepared music for some very fine New Zealand singers and talked about it in "Preparing for some legends!".

Finally, no year is complete without a "Merry Christmas" post thanking you for all of your support during the year and the compliments of the season.

Another year ticked off the list, another year doing my absolute dream job - let's get ready for an even better 2013!

Making music in Rotorua

It is always fun gathering at the beginning of a weekend with a new group of people and by the end of it presenting a concert of great music. That was the case this weekend at another Bay of Plenty Music School.

I had a wonderful group of players, we worked hard and had fun putting the music together.

At the informal concert on Saturday night we performed the crowd pleasers:

• Prokofiev – Triumphal March from ‘Peter and the Wolf’
• Barry Gray – Thunderbirds

On the Sunday concert we performed:

• Khachaturian – Armenian Dances
• Ryan Youens – Bubble
• Rossini – William Tell Overture (Allegro Vivace)
• Bernstein/Sondheim - West Side Story (combined with orchestra)
• Trad. - A Te Tarakihi (combined with orchestra and choir)

It was a pleasure to work with fellow conductors Peter Watts and Peter Thomas - thanks for your support. Thanks to my brilliant wind orchestra players and to those who organised the very successful weekend.

BOP music school hits Rotorua!

The Bay of Plenty Music School is about to make some music once again! This year the school is happening between April 13th to 15th in Rotorua. It is an opportunity for choral, orchestral and band musicians to work on some fantastic repertoire in a relaxed environment.

I conducted there last year and it really is a wonderful weekend, meeting some great people, eating some great food and making some fantastic music together.

This year Peter Watts is conducting the choir, Peter Thomas the symphony and chamber orchestras and myself the wind orchestra (concert band/symphonic band...).

In the wind orchestra we will be working on:

• Rossini - William Tell Overture
• Prokofiev - Triumphal March from ‘Peter and the Wolf’
• Ryan Youens - Bubble
• Bernstein/Sondheim - West Side Story, 'selections'
• Khachaturian - Armenian Dances
• Barry Gray - Thunderbirds
• Philip Norman - The Ballad of Settler McGee
• Kamen - Robin Hood Prince of Thieves Suite

It should be another very enjoyable weekend finishing with a concert on Sunday afternoon. If you are interested in attending I would love to see you there. Enrollments need to be in by Monday 2nd April so visit the music school website and download the information and enrollment details.

2011 through the eyes of a blog

And just like that, another year is gone! Here is a look at my posts for the year. The blogging year started in March with my favourite book arriving, "Behind Bars", which I preordered in 2010. It is definitely the most used book on my shelf! I then talked about two approaching projects:

• An exploration “Behind Bars”
• About to bop at the BOP Music School
• Microscore May

In April I introduced my new work, "blimp", and reviewed two projects - a song I helped a friend create and my work at the BOP music school:

• "blimp", for orchestra
• A recipe for Soul Food
• Great company, excellent food … and some music

May was a busy month, so in June I talked about what I had been up to - writing 31 microscores and the premiere of "blimp":

• May Microscores – a ginormous month of tiny things
• “blimp” lands in Auckland

In July I posted the video I worked on with Sideways Productions:

• 48 hours to say “Goodbye Gilbert”

In August and September I covered my involvement in the KBB Music Festival and some composition tutorials that I held in Kerikeri:

• KBB Music Festival stretching its legs
• Composition tutorials in Kerikeri

October was the kick off of the Rugby World Cup here in New Zealand, I talked about my involvement in the opening ceremony and also made a post about what exactly I do when "preparing music" and why you would need someone like me to do it:

• Kicking off the Rugby World Cup 2011
• Music preparation – what and why!

December means Christmas and I posted some Christmas carols that I prepared for my students. I also composed a new "holiday" piece for my Christmas post:

• Christmas carols for violin and viola
• Happy Holidays

Happy New Year everyone, bring on 2012!