Tag Archives: tiraki

A month of New Zealand music

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New Zealand Music Month is here again. Make sure you get out and enjoy some New Zealand Music – well, more than usual, I hope!

You may remember for last year’s Music Month I wrote 31 microscores in 31 days. It was a huge success and loads of fun. Check out this post to read about the project or listen to the microscores.

This year I don’t quite have a project like that ready to go, but here are some events that my music is involved with this Music Month:

3rd May: William Green performs This Day this Thursday

As part of Auckland Central Library’s FREE Thursday lunchtime concert series, William is playing my piece, This Day, as part of his “NZ piano music of the 2000s” concert.

Thursday 3rd May, 12:10pm until 1pm. Whare Wānanga, Level 2, Central City Library, 44-46 Lorne Street – don’t be late, my piece opens the concert. Click here for the lunchtime concert series brochure.

9th May: Auckland Philharmonia Tiraki read-through

The Auckland Philharmonia reads through the first drafts of my piece, Tiraki, written for the orchestra and the Auckland Town Hall organ. You may like to check out my post on the project or my photos from a recent tour of the organ.

18th – 20th May: Making music for V48 Hours

I will be working again with Sideways Productions, making music for their production. You may like to see my post from last year’s film.

31st May: Hook Line and Sing-along

Every year the NZ Music Commission runs a competition for school students to write a song for Music Month. The song is sung by schools across New Zealand at 12pm on the last day of Music Month. The idea is to get as many people singing together as possible – for fun and to focus on the fundamental pleasures of life, music, and the importance of music education.

This year the song is 21 Degrees by Bruce Taiapa. I typeset the lead sheet and created an arrangement for a variety of instruments so instrumentalists can play along with the track as well.

Download everything you need here.

Have a good month.

Checking out the pipes

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The Auckland Town Hall Organ is mightily impressive, mind-blowing, even enough to take your breath away! Hours before the first drafts of my APO + Auckland Town Hall Organ composition were due, Kerry Stevens gave me a tour. Amazing. Here are some of my photos.

Here are some facts from the organ’s very own website:

  • The Auckland Town Hall Organ weighs 40 tonnes, the pipes alone account for 28 tonnes.
  • Number of pipes: 5391, of which 939 have been restored from the 1911 organ.
  • Largest pipe: bottom C of the 32-foot Open Wood: 9.75 metres high (32 feet) with an interior volume of 2600 litres. The note sounded by this pipe has a fundamental frequency of 16 Hz.
  • Smallest pipe: speaking length 6mm (the pipe itself is quite a bit bigger than this to make it possible to handle!)
  • Lowest frequency note: bottom C of the Pedal Gravissima stop, 8 Hz. (The entire bottom octave of this stop is below the limit of human hearing: it is felt rather than heard).
  • Highest frequency: 17kHz from the Swell Furniture.
  • Loudest stop: equal place to the 16′ Ophicleide in the Pedal organ and the Orchestral Trumpet in the Solo. The largest pipe in the Ophicleide rank has a diameter of 349.1mm at the top.
  • The three electric blowers in the basement deliver a wind flow of 209 cubic metres per minute, into 320 metres of wooden wind trunking (the length of three football fields), into 23 bellows loaded with four tonnes of weights, and then into 18 main wind-chests: ready to blow through one pipe or hundreds at once.
  • Most pipes operate on a wind pressure of 3 inches (water gauge). Highest wind pressure: 15 inches.
  • The organ was built by a team of 42 personnel from Klais Orgelbau over a period of 26 months, taking around 27,000 man-hours. The chief designer of the organ was Stefan Hilgendorf.

An opportunity to make the floor rumble

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It’s not often that you can make the floor rumble but when the powers of the Auckland Philharmonia Orchestra and Auckland Town Hall Organ combine, I might just have that opportunity!

I am very happy to be one of the six composers writing a work for these two forces. One of the great things about these APO composer workshops is the process – there are three workshops with the orchestra during this year, followed by the premiere in May 2013. The first is in May and most of us I’m sure will just trial ideas, versions, sections and so on.

The other composers are Robbie Ellis, Anthony Young, David Hamilton, Chris Adams and Ben Hoadley.

My organist is James Tibbles, the Associate Head of Performance at Auckland University and of course one of New Zealand’s leading keyboardists.

My piece has a working title of “Tiraki” – a Maori verb meaning to clear the sky, or lift away the clouds. I hope to use this idea to characterise the music and explore different layering and texturing within the orchestra.

Keep up with this blog for updates on the project as it progresses. Also, check out the Auckland Town Hall organ and the Auckland Philharmonia websites.

Pen to paper

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… or rather, finger to keyboard! Here is an update on three pieces I am currently writing.

Wild Daisies

This is a piece for the award winning choir, Euphony, from Kristin School. After a lot of hunting I found the wonderful poem “Wild Daisies” by NZ poet Bub Bridger. It was hard to find something suitable for school-aged students, something on a happier rather than sad note, and something that would allow lots of musical additions … perhaps I’m just not well acustomed to hunting down texts. Anyway this is going to be a fantastic piece for unaccompanied choir.

Tiraki

There is a flute player I want to write for, a viola player has been begging for a piece, and I have been wanting to write a piece for tuba for a long time. So, this is it. A suite of solo pieces, one for each of these instruments. I’m trying to get some of the movements done before the trip to Brazil, as then I can workshop the pieces with the players there.

I was thinking how to tie these three pieces together and had a great idea about clouds as they are categorised into high, mid and low clouds. So the three pieces are based on:

  1. Cirrus – flute (high)
  2. Altocumulus – viola (middle)
  3. Cumulus – tuba (low)

The title, Tiraki, means to clear the sky or lift away the clouds.

Taupo

Don’t worry, that’s not the actual title – I’m still deciding. This piece for wind orchestra and choir is well underway and will open the 2010 ERUPT Lake Taupo Festival. This project is possible thanks to the very generous funding by SOUNZ (The Centre for NZ Music) and their SOUNZ Community Commission.

We put a call out for texts to use and so they are flowing in. Have started drafting some ideas and have got a good idea of how it’s going to turn out. It’s going to be a 15 minute, or thereabouts, piece but it is going to be able to be performed as a 5-6 minute piece later in it’s lifetime. This, along with the fact that it is suitable for younger players means hopefully it will have a healthy future. As soon as I get back from South America I will be full on writing this piece.