2010 through the eyes of a blog

It is December 31 and I just wondered “what exactly has happened this year?”

So through the eyes of this blog, let’s have a look. We’ll start with January and the tail end of our South America trip, along with the workshopping and recording of my music in Brazil.

January 4th Leg Four – Argentina to Paraguay to Brazil
January 11th Leg Five – Rio de Janeiro to Paraty to Auckland
January 12th A day with Sphaera

After spending too many hours hunting down good repertoire for my school orchestras, in February I explored the efforts of conducting. I also set up my newsletter with MailChimp.

February 20th Conducting – 90% perspiration, 10% exhilaration
February 26th Automating the monthly issue

It was a plentiful month of posts in March, many on great discoveries I recently made but also highlighted a new piece, Picture for Emily, for my niece.

March 14th Sibelius First – if you’re so inclined
March 15th Moana Ataahua programme launched
March 16th Picture for Emily – aiming for the small market
March 16th Scoring Avatar
March 18th My indispensables
March 19th If Lake Taupo was a piece of music, what would it sound like?

In April it was all about preparing Moana Ataahua for its massive premiere at the ERUPT Lake Taupo Festival.

April 24th Moana Ataahua set to ERUPT in May (article from SOUNZ)
April 28th Moana Ataahua, the rehearsals begin

I explored digital music stands in May, how they compare and how I wanted one. Do I still want one now? That is another post!

May 15th Digital music stands, hook me up – Music Pad, Music Reader, eStand

I summed up the Moana Ataahua premiere in June and did a very popular post on music apps for your iOS devices.

June 1st Moana Ataahua, the premiere
June 2nd iPhone/iPod Touch/iPad apps for the music professional

It was great to see plenty of music getting performed through July.

July 12th Wild Daisies premiere
July 18th Breathe In, Breathe Out – a concert of overtures and finales
July 27th SoundCloud, move your music
July 29th Three pieces performed by Brazil’s Sphaera Ensemble

The Auckland schools orchestra festival happened in August, so did some pondering on music theory.

August 27th Sounds great! I want it, I want it now
August 30th KBB Music Festival 2010, thumbs up
August 31st Music theory, do we need it or not?

Spent a fantastic few days in Wellington in September recording Rakaia with the NZSO. Also, Rhian Sheehan’s amazing score for The Cult, which I helped out with, won best score!

September 9th More iPhone/iPod Touch/iPad apps for the music professional
September 20th The Cult wins at Qantas Film and Television Awards
September 23rd NZSO/SOUNZ Readings 2010

In November I did a three part post looking at music printing, engravers, copyists and how things are changing. I also hooked up Sibelius users with some great resources!

November 29th So, you’re a Sibelius user?
November 30th Music printing, a journey for engravers (part 1 of 3)
November 30th Music copying and confusion (part 2 of 3)
November 30th Changing times for music preparers (part 3 of 3)

As you would expect, I got festive in December but also looked at a new feature for sounz.org.nz.

December 7th A Christmas wish list for composer-musicians
December 24th SOUNZ moves forward, again
December 24th Merry Christmas and very best wishes for the New Year

Happy New Year everyone!!

So, you’re a Sibelius user?

If you know what Sibelius is, then I’m sure you are a user and a lover. There are so many fantastic resources available – here is a checklist to make sure you are aware of each and every one of them.

Essential resources:

Ways to connect:

Ways to shop:

  • Avid store – purchase all versions of Sibelius and all other sibelius products
  • Computer Music NZ – New Zealand’s distributor of sibelius

A way to learn:

  • Whether you use Sibelius at home, school, university or in the studio, getting the most out of it is a never-ending journey. Whether you are just starting out or need to refine the skills you have already learnt, I can help. Find out more information here and then feel free to contact me at any time.

What have I missed? Got other resources to share? Leave a comment below and I’ll add it to the list.

Scoring Avatar

“Director James Cameron wasn’t the only one who relied on technological advances to give Avatar an otherworldly feel. Award-winning film composer James Horner also broke new ground with his compelling soundtrack, relying on Pro Tools|HD and Sibelius to compose the music, orchestrate parts, and sculpt otherworldly sonic textures.”

The Avatar score – some people love it, some people hate it, but either way, this is a nice little doco about its creation. It’s not often that James Horner appears on interviews like this – well not that I’ve come across – so it’s nice to hear him speak about what he does. It also includes the legendary scoring mixer Simon Rhodes and electronic music arranger Simon Franglen talking about their contribution.

They talk about how they used the software to bring it all together, especially interesting as the score combines both orchestral and electronic elements.

It is REALLY a promo for Avid (Pro Tools and Sibelius mainly) so prepare for an onslaught of endorsements, but I enjoyed it. Let me know what you think.

Sibelius First – if you’re so inclined

People often ask me all about Sibelius - they hear of this wonderful program and they usually then go out and buy it. But I do wonder sometimes, do they ACTUALLY need it? They have this sensationally powerful program when all they want to do is put some pieces together for a small ensemble or make some music examples for their newsletter. Even though the full version is of course a very user-friendly program to use, it did seem like a waste to me – but now there is the updated and very swish looking Sibelius First.

It’s a lightweight version of the program, but maybe that doesn’t do it justice. Perhaps it could be the “normal” version, where the original is for the advanced user.

I really like it. I downloaded the trial version so I could have a play, and for most of the day to day things you would do with the full version of Sibelius, this is well sufficient. Check out this great comparison chart to see exactly how it compares.

I have no idea how NotePad, Finale’s lightweight program, which has been around since who knows when, weighs up to its fully featured program, but I think Sibelius has a nice balance between their two versions.

I have talked to Computer Music here in NZ and they are shipping it for NZ$280 (incl. GST), although they are currently still waiting on their stock. You can of course buy it only at the impressive Avid Store. It will be interesting to see how well it sells next to the full version which is often at a great educational price of NZ$550. I guess we will wait and see.

Well, whatever version, happy composing!

Blogs – read, write, sing, play

I have a routine: every morning I wake up, lean over and pick up my iPhone, I check the news, then I read all of the latest feeds from my favourite blogs. The blogs are music ones of course, and for years I have been filtering through them and the ones I like are the ones that stay. I use the term of “blog” rather loosely – some of these are actual blogs, some are more updates and news, but all just as interesting and worthwhile. Just a note, the links are to the actual RSS feed, not to the website, so they will open in your RSS reader.

  • Sibelius Blog: A must if you’re a Sibelius user. News, interviews, the latest movies to be scored on Sibelius, tips and more. Run by Daniel Spreadbury, Sibelius’s Senior Product Manager.
  • The Electric Semiquaver: All about writing with music notation software. The first line of his latest blog sums it up very well: “How music notation software can both assist, and completely destroy, musical texture.”
  • CompositionToday: Nice updates, news and resources about and for classical composers.
  • Musical Perceptions: “Perceptions about music, perceptions that affect music, perceptions colored by music, perceptions expressed by music”.
  • Echoes: They are disc manufacturers for independent artists but it’s a really nice blog of “insights for independent artists”.
  • New Music Strategies: Self explanatory.
  • Professional Orchestration: Nice feed on all topics related to orchestration.
  • Scoring Sessions: The feed from what I think you all know is one of my favourite websites.
  • Soundtrack.net: Feed of reviews and news of film soundtracks by Dan Goldwasser.
  • Sequenza21/: Great feed of news and reviews from this contemporary classical music community.
  • The Naxos Blog: Sounds a bit heavy – it’s not. Got great blogs and news articles.
  • Apple Creative Professionals: If you’re a mac lover you’ll have to have this one.
  • ryanyouens.com | blog: Am I allowed to put this on here?

While you’re at it, these are two well updated and completely essential news feeds:

Well, enjoy. If you have your own favourites, or any in particular that you can’t live without … let me know.

Sibelius: How it compares, version 6 and composing with software

Well I often get asked what is the difference between Sibelius and Finale, which one is better and so on. So I thought I’d post a blog to put my views down and also to share some links which I think are just wonderful.

Basically, my view is that Sibelius is a musician’s program. It is intuitive and works as you’d want it to work. Finale is a programmer’s program, it is powerful like Sibelius, but doesn’t have the same ease of use. Despite an odd but common belief, as a Sibelius user there is nothing I have not found that I am able to do. As a copyist I tend to work the program hard, and so far to great success. There are of course a few features that differ, these do tend to be in favour of Sibelius. In the past Sibelius has been dominant in Australasia, Europe and the UK, and Finale was dominant in the Americas. This is changing, with Sibelius becoming very popular in America and Finale working it’s way into the UK. Some publishers and copying houses swear by Sibelius, others with Finale, so perhaps it is becoming a fair share between the two companies. I won’t get too deep into specifics because Daniel Spreadbury, the senior product manager for Sibelius, has a superb blog which answers all possible questions on this topic. A recent entry covers the specifics on this topic, where Sibelius leads, it’s unique features, and why it’s the copyists’ choice, engravers’ choice and teachers’ choice.

www.sibeliusblog.com/opinion/why-choose-sibelius-over-finale/

What has brought Sibelius further into dominance as the world’s leading notation program, is their recently released Sibelius 6. Another great blog is Daniel’s two-part introduction to this new version. In part one he talks about the story behind Sibelius 6.

www.sibeliusblog.com/opinion/the-story-behind-sibelius-6-part-1/

In part two he describes how they approached the development of their three biggest goals, Classroom Control, Versions, and their Keyboard and Fretboard windows.

www.sibeliusblog.com/opinion/the-story-behind-sibelius-6-part-2/

Also related to this is a great new blog by Kenneth Froelich who is the Assistant Professor in Music Composition at California State University, Fresno. It is about composing with music software. He puts it that “as both a composer and a teacher of music composition, I have seen many of the missteps, pratfalls, and outright disasters that tend to come about from writing music on the computer. However, through my own personal experience, as well as working directly with my students, I have come up with several strategies and pedagogical approaches to help young composers recognize and overcome the traps that tend to hinder successful “computer composition”.” It will be an interesting blog to keep an eye on.

electricsemiquaver.blogspot.com/2009/06/overcoming-sibelius-or-finale.html

I hope this is interesting reading for all of you. Enjoy.

John Williams’ Jurassic Park / Sibelius’ Symphony No.3

Ok as I’m sure most of you know, most of John Williams’ film scores are taken from classical works … in fact basically all of them. Anyway last night was at a NZSO concert and I swear in Sibelius’ 3rd Symphony, there were FOUR themes from John Williams’ Jurassic Park. Has anyone else recognised these?? Or was I just hearing things?? Let me know…