Making music in Rotorua

It is always fun gathering at the beginning of a weekend with a new group of people and by the end of it presenting a concert of great music. That was the case this weekend at another Bay of Plenty Music School.

Combined orchestras performing "Westside Story"

Combined orchestras performing "Westside Story"

Combined orchestras and choir performing "A Te Tarakihi"

I had a wonderful group of players, we worked hard and had fun putting the music together.

At the informal concert on Saturday night we performed the crowd pleasers:

  • Prokofiev – Triumphal March from ‘Peter and the Wolf’
  • Barry Gray – Thunderbirds

On the Sunday concert we performed:

  • Khachaturian – Armenian Dances
  • Ryan Youens – Bubble
  • Rossini – William Tell Overture (Allegro Vivace)
  • Bernstein/Sondheim - West Side Story (combined with orchestra)
  • Trad. – A Te Tarakihi (combined with orchestra and choir)

It was a pleasure to work with fellow conductors Peter Watts and Peter Thomas - thanks for your support. Thanks to my brilliant wind orchestra players and to those who organised the very successful weekend.

Opening up an orchestra

Last Sunday we had loads of fun at the first of the Auckland Philharmonia open days for 2012.

We were at the Bruce Mason Centre in Auckland and you would have found me in the “meet the composer” room. Loads of people came through and some came back three or four times as they had a new idea to add to our “Open Day” composition.

We talked about what composers do and how our ideas make it to the orchestra’s music stands. Many people had a go on Sibelius and were blown away at what it can do and what we could do with their musical ideas.

THIS SUNDAY we do it all again:

“Meet the APO and hear all the instruments, in a fun family day. Hear us rehearse and perform excerpts from Beethoven’s famous Fifth Symphony, join in activities to make simple percussion instruments, listen up close to individual players and hear the 200 strong chorus taking part in Sing with the APO. The orchestra and ensembles of APO musicians perform throughout the afternoon.”

TelstraClear Pacific Events Centre, Manukau, free admission. Click here to find out more details.

Come down and say hi, I look forward to seeing you!

BOP music school hits Rotorua!

The Bay of Plenty Music School is about to make some music once again!

This year the school is happening between April 13th to 15th in Rotorua. It is an opportunity for choral, orchestral and band musicians to work on some fantastic repertoire in a relaxed environment.

I conducted there last year and it really is a wonderful weekend, meeting some great people, eating some great food and making some fantastic music together.

This year Peter Watts is conducting the choir, Peter Thomas the symphony and chamber orchestras and myself the wind orchestra (concert band/symphonic band…).

In the wind orchestra we will be working on:

  • Rossini – William Tell Overture
  • Prokofiev – Triumphal March from ‘Peter and the Wolf’
  • Ryan Youens – Bubble
  • Bernstein/Sondheim - West Side Story, ‘selections’
  • Khachaturian – Armenian Dances
  • Barry Gray – Thunderbirds
  • Philip Norman – The Ballad of Settler McGee
  • Kamen – Robin Hood Prince of Thieves Suite

It should be another very enjoyable weekend finishing with a concert on Sunday afternoon. If you are interested in attending I would love to see you there. Enrollments need to be in by Monday 2nd April so visit the music school website and download the information and enrollment details.

iOS apps for music professionals

iOS (iPad and iPhone) apps. They are often enough to quite simply blow your socks off! There is one for pretty much anything, especially with music. In June and September 2010 I wrote two posts titled “iPhone/iPod Touch/iPad apps for the music professional” – be sure to check out those posts here and here. Eighteen months on I think we should see what apps have stood the test of time and what the new ones are on the block.

As with the two posts from 2010, these are apps that (I hope) are genuinely useful to musicians, music teachers and other music professionals. Buckle yourself in, here we go!

RECORDING

FiRe 2 - the industry-leading field recorder was fantastic first time around, and now it is even better. It is not waiting for you to record your first album, but for basically everything else it has you sorted. It now has super easy editing tools, EQ, dynamic effects, dropbox integration and much more. I use it to record ideas, music lessons, workshops with performers, performances – a very fine app.

GarageBand - covers two bases. Firstly, you can record music either by playing on the device or recording from an external source, then even take it to GarageBand or Logic Pro to continue work if you wish. Secondly, you can perform on a variety of instruments (including strings now!) and even jam with your friends via bluetooth. Gone are the days when you would need an app for every instrument.

GENERAL TOOLS

Dr. Betotte TC - one of the few metronomes powered up for the music professional. Packed with features, including rhythmic divisions that have their own volume sliders, one click halftime feel, options for swing tempo, you can import your own audio samples and it can gradually step up and down. This is one of my absolute favourites.

Stay In Tune - is a wonderfully clean and versatile tuner – fantastic for all general tuning. It has a good range of instrument presets for noisy environments or unfamiliar instruments. I should also mention Cleartune which is incredibly precise – ideal for string or other orchestral instruments.

NumPad - if you only have a laptop or bluetooth keyboard, with this app you can add the keypad on to it. It took me a while to start using it, but it is actually really helpful. There are several keypad view options (to match your main keyboard) and there is no delay when in use. A lifesaver for those who usually use the keypad in Sibelius but then find themselves without it.

REFERENCE

Backline Calc - is a musical calculator and in my original post I said it was “perhaps the last app you would think about looking for, but once you have it you’ll realise how handy it is”. Perhaps I use it more for fascination rather than actual need but a very clever and interesting app.

Oxford Dictionary of Music - this well respected resource is a very nice app, essential for those who regularly reference terms and definitions. You may also be interested in the Oxford Companion to Music.

Guitar Toolkit - a very popular app for guitarists with some great tools. I want to specifically mention its incredible library of chords, scales and arpeggios (and with alternate tunings) for not just the guitar but also the 7-string and 12-string guitar, 4-string, 5-string and 6-string bass, banjo, mandolin, and ukulele. For someone who is far from being a natural guitarist but who has one, plus a mandolin and ukelele, it’s a very well used app.

TEACHING

Karajan® - a very helpful music and ear trainer from beginner to advanced levels. You can learn, practice and test intervals, chords, scales, pitch, tempo (bpm) and key signatures. Audio can be piano, guitar (nylon and steel string), bass and organ, so users can be in their comfort zone. Great for students developing their ear, and I am even partial to an exercise now and then!

Nota for iPhone (Nota for iPad) – where Karajan is for developing the ear, Nota is for developing the mind (theory, musical knowledge…). Explore notes, chords and scales on the piano or the extensive reference library covering articulation, accidentals, breaks, chords, clefs, dynamics, key signatures, lines, notes, note relationships, note durations and rests, repetition and codas and time signatures. I often set the quiz up for students if they are early for a lesson!

MSO Learn - many young musicians are curious about orchestras – what instruments play in them, how they work… MSO (Melbourne Symphony Orchestra) Learn is a beautiful app which lets you explore the orchestra – the different instruments, where everybody sits and the specific music each section and instrument plays. For example, it plays a full orchestral piece and shows the full orchestra, click on the woodwind section and you’ll get a layout of woodwind instruments and just they will continue playing, then click on a specific instrument and just hear that instrument and an explanation of it. Such a wonderful resource.

BONUS

Avid Scorch (iPad only) – no longer do you need to take huge amounts of music around with you, store and read it all on your iPad. Even transpose it or view the score or different parts if you wish. If you’re interested in this, check out my recent blog on this topic.

SoundCloud - of course SoundCloud is a dream come true for many of us musicians, with the ability to safely store and share your music online. The latest version of their iOS app is quite special – with excellent functionality and beautiful interface. Have all of your music available for sharing while on the road or use it to push your music out elsewhere on the web.

There we have it – some of my most used and most helpful iOS music apps. Who knows what is coming next!

2011 through the eyes of a blog

And just like that, another year is gone! Here is a look at my posts for the year.

The blogging year started in March with my favourite book arriving, “Behind Bars”, which I preordered in 2010. It is definitely the most used book on my shelf! I then talked about two approaching projects:

In April I introduced my new work, “blimp”, and reviewed two projects – a song I helped a friend create and my work at the BOP music school:

May was a busy month, so in June I talked about what I had been up to – writing 31 microscores and the premiere of “blimp”:

In July I posted the video I worked on with Sideways Productions:

In August and September I covered my involvement in the KBB Music Festival and some composition tutorials that I held in Kerikeri:

October was the kick off of the Rugby World Cup here in New Zealand, I talked about my involvement in the opening ceremony and also made a post about what exactly I do when “preparing music” and why you would need someone like me to do it:

December means Christmas and I posted some Christmas carols that I prepared for my students. I also composed a new “holiday” piece for my Christmas post:

Happy New Year everyone, bring on 2012!

Kicking off the Rugby World Cup 2011

The biggest sporting event to ever hit New Zealand is this year’s Rugby World Cup. It has been a massive success and we eagerly await the final tonight between New Zealand and France. The opening night was an amazing showcase of New Zealand and I was super proud to be involved.

Victoria Kelly was the musical director for the opening ceremony and invited me to do the copying work for all of the new music. She was writing in Logic and sent the sessions to me (via Gobbler, I LOVE Gobbler) to bring through to Sibelius where I prepared the scores and parts – tidying notation, adding articulation, dynamics and everything needed to make beautifully clear music. In three days I made:

  • 39 scores
  • 116 instrumental parts
  • 525 copies of those parts ready for the players and conductor
Here is everything on my floor, proofread and re-proofread, sorted and re-sorted, and ready to be packed up.

RWC typesetting August 2011 4

I then went to the recording sessions at York Street Studios and made sure there were parts on the stands for the beginning of each session with the Auckland Philharmonia.

What a joy!!

KBB Music Festival stretching its legs

This year the KBB Music Festival stretched its legs and was held at the Holy Trinity Cathedral and St Mary’s Church in Parnell. It was one again an absolute hit, even considering it had to move for two days due to the state funeral for Sir Paul Reeves!

I was on the committee this year, so it was great to spend some more time at the festival and help to organise it beforehand. Being the new venue there were a lot of extra things to think about and teething issues but the many thousands of students who came through during the week had a wonderful time and some outstanding music was made.

Part of my role on the committee was to create and maintain the festival website – of course something I know well and enjoy. Check it out!

I had five groups in the festival this year (sorry, no photos this year!), the Diocesan School Symphony and Chamber Orchestras, the Carmel College Orchestra and Chamber Orchestras and the Kristin School Symphonia. They all did very well and I look forward to another good year at the festival next year.

Great company, excellent food … and some music

Two weeks ago I had the pleasure of conducting at the Bay of Plenty Music School, held for the second year in Tauranga. Check out my previous post if you’d like some more info about the music school.

It was a really fantastic weekend. The wind orchestra players (my group) were really keen to do some hard work, loved the selection of music, were really positive and after the 13 hours of rehearsal arose to present a really tight and energetic performance on the Sunday afternoon.

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Rehearsing the massed item, Handel's "Zadok the Priest".

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Timpani anyone?

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The (very good!) horns.

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Peter Thomas rehearsing the combined orchestra item, "Danse Macabre" by Saint-Saëns.

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Conducting the wind orchestra, possibly "October" by Eric Whitacre.

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David Squire conducting the choir.

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The choir, in fine form.

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Peter Thomas conducting the string orchestra in Elgar's "Serenade for Strings".

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Conducting my section of the massed item, Handel's "Zadok the Priest".

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David Squire conducting his section of Handel's "Zadok the Priest".

So, where is it next year? Rotorua! Interested in going? Stay tuned in to their website and I’ll see you there.