2011 through the eyes of a blog

And just like that, another year is gone! Here is a look at my posts for the year.

The blogging year started in March with my favourite book arriving, “Behind Bars”, which I preordered in 2010. It is definitely the most used book on my shelf! I then talked about two approaching projects:

In April I introduced my new work, “blimp”, and reviewed two projects – a song I helped a friend create and my work at the BOP music school:

May was a busy month, so in June I talked about what I had been up to – writing 31 microscores and the premiere of “blimp”:

In July I posted the video I worked on with Sideways Productions:

In August and September I covered my involvement in the KBB Music Festival and some composition tutorials that I held in Kerikeri:

October was the kick off of the Rugby World Cup here in New Zealand, I talked about my involvement in the opening ceremony and also made a post about what exactly I do when “preparing music” and why you would need someone like me to do it:

December means Christmas and I posted some Christmas carols that I prepared for my students. I also composed a new “holiday” piece for my Christmas post:

Happy New Year everyone, bring on 2012!

Great company, excellent food … and some music

Two weeks ago I had the pleasure of conducting at the Bay of Plenty Music School, held for the second year in Tauranga. Check out my previous post if you’d like some more info about the music school.

It was a really fantastic weekend. The wind orchestra players (my group) were really keen to do some hard work, loved the selection of music, were really positive and after the 13 hours of rehearsal arose to present a really tight and energetic performance on the Sunday afternoon.

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Rehearsing the massed item, Handel's "Zadok the Priest".

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Timpani anyone?

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The (very good!) horns.

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Peter Thomas rehearsing the combined orchestra item, "Danse Macabre" by Saint-Saëns.

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Conducting the wind orchestra, possibly "October" by Eric Whitacre.

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David Squire conducting the choir.

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The choir, in fine form.

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Peter Thomas conducting the string orchestra in Elgar's "Serenade for Strings".

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Conducting my section of the massed item, Handel's "Zadok the Priest".

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David Squire conducting his section of Handel's "Zadok the Priest".

So, where is it next year? Rotorua! Interested in going? Stay tuned in to their website and I’ll see you there.

About to bop at the BOP Music School

This year the Bay of Plenty Music School is in Tauranga from the 15th to the 17th of April.

“This will be the 42nd year for the Bay of Plenty Music School which is run with the assistance of the University of Waikato. It caters for choral, orchestral and band musicians of all levels, providing a unique learning and working opportunity in a relaxed atmosphere under the guidance of experienced conductors and section leaders.”

I am very pleased to be conducting the wind orchestra and working alongside Peter Thomas (symphony and string orchestras) and David Squire (choir).

The Music School has been going since 1966 and is now the largest surviving music school in New Zealand. It moves around towns within the Bay of Plenty region, although this is the second year in a row that it has been held at Tauranga Girls College. This year the repertoires include:

SYMPHONY ORCHESTRA
Danse Macabre (Saint Saens)
Symphony No.1 (Sibelius)

STRING ORCHESTRA
Waipoua for Clarinet & Strings (Gareth Farr)
Serenade for Strings (Elgar)

WIND ORCHESTRA
Overture in B flat (Caesar Giavannini)
October (Eric Whitacre)

CHOIR
Neckereien (Johannes Brahms)
Turot Eszik A Cigany (Zoltan Kodaly)

Entries are still open and they are looking for more players (especially string players). The entry fee is a wonderfully affordable price for a fantastic weekend of music. So, get enrolled - you have until Friday April 1.

Interested in finding out more about the Bay of Plenty region? Visit the tourism site here, or the Wikipedia site here.

Three pieces performed by Brazil’s Sphaera Ensemble

On July 9, the Sphaera Ensemble performed three of my pieces, The Attic, Reclusion and In Their Light, in a concert at the Sesi Theatre, Santos, São Paulo, Brazil. I conducted these three and other pieces with the ensemble while I was there in December/January. They first performed The Attic in 2008. Reclusion and In Their Light have been added to their repertoire this year.

Here are some photos of the concert and a video of The Attic performance (taken by Laira Dalileia):

Sphaera Santos Brazil 6

Sphaera Santos Brazil 12

Sphaera Santos Brazil 5

Sphaera Santos Brazil 4

Sphaera Santos Brazil 1

The winds recede

Sunday’s concert, “North Winds, South Winds”, was a success. Thanks very much to all those who came and supported – it was a very impressive, receptive and appreciative audience.

It was a challenge putting on such a demanding programme, but the orchestra definitely rose to the occasion and did a fantastic job. It is horrifying to realise that the time signature changes totaled around 160, and the tempo changes also added up to something drastic. Looking back, I thought it was a shame that we didn’t get to run the pieces more during the rehearsal period and hear them in their entirety, as some certainly aren’t done justice until done so. But I guess, we always have the best intentions.

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It was very refreshing seeing so much New Zealand music being performed, AND with five of the eight composers being present. It was great having the older works which have been widely performed, alongside two premieres, and other works by younger composers. I had a few comments saying that NZ music is in very safe hands … which it is … of course. Judging from feedback, it seems the audience had a great time. I think they really enjoyed the balance in the programme, the top standard and of course the intros (thanks Harold).

It was a joy working with the wind orchestra. They have a wonderful committee which seem to take care of absolutely everything. The standard is excellent and I hope that I can work with them again sometime in the future.

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My piece, Guardians of the North, went well. I placed it at the end of the programme, which could have been trouble after the workload before it, but it sounded great. I had made several revisions since its premiere in 2007, including a new ending, which I was very happy about. It now seems to sit more comfortably with the players, which is definitely a good thing.

The “North Winds, South Winds” have definitely receded, but what a breath of fresh air! Another concert down, more New Zealand music is in the mix – that makes me happy.

“North Winds, South Winds”

A concert of New Zealand wind music by the Auckland Wind Orchestra, conducted by Ryan Youens.

Don’t miss this wonderful event featuring selections from New Zealand’s finest wind music.

Auckland Wind Orchestra

Photo courtesy of www.awo.co.nz

  • Aue! – Christopher Marshall
  • The Ballad of Settler McGee – Philip Norman
  • Earthbound Wings – Yvette Audain
  • Far Star – Matthew Crawford
  • Forest Sketches – David Woodcock
  • Guardians of the North – Ryan Youens

Including two premieres:

  • The Pensieve – Zyia-Li Teh
  • Rotorua – Phillip Anderson

3pm, Sunday 18th October

Aotea Chapel, Auckland Methodist Mission, 370 Queen Street, Auckland (opposite Town Hall)

$15 waged, $10 unwaged (door sales only)

www.awo.co.nz

Sounds of Celebration

I conducted the Kristin Symphonia today in their Sounds of Celebration combined music concert. Despite slightly diminished numbers, they performed superbly.

On the programme was:

  • Farandole from L’Arlesienne Suite No.2 by Bizet
  • Awakino Pastorale by M.C.W. Bell
  • The Great Gate of Kiev from Pictures at a Exhibition by Mussorgsky
  • Scherzo from Symphony No.9 by Beethoven

Sounds of Celebration 1

Sounds of Celebration 2

Sounds of Celebration 3