Of course there are amazing professional musicians out there who can not read a note of music. There is also a whole new generation of producers and composers – who have been traditionally the theory superstars –  who do not need knowledge of the finer elements of music to put notes on paper. I’m not saying theory needs to be a foundation – unbounded creativity and following the ear in creating music should be paramount.

We learn to speak by ear as a child, then we go to school and we learn how to read and write. Then in later years we develop these skills further and it only increases our level of understanding and ability to communicate. The same goes for music, and with this in mind, the thought some have that knowledge of theory can restrict musical creativity is crazy.

Is being an absolute wizard of music theory going to make you a better musician? Put it this way, there are amazing musicians who severely lack good knowledge in music theory, but can get by just playing note after note. Little do they know what they’re missing! Similarly in creating a masterwork of your own at the piano, you can make something sound good but once you know what is happening musically, it suddenly comes alive and makes sense. To communicate effectively in music, whether it be via performing or writing, you need to have a good vocabulary in music. It is like English or any other language – speaking it is one thing, but once you are literate, it opens a whole new world of possibilities, allows you to actually understand what is happening, and allows you to express your musical ideas, and this, in turn, will dramatically accelerate your musical development.

So, instead of letting your students slip by, or being held back yourself, get up to play with music theory. You’ll be far better off for it. If you want to learn from me, here are the details.

If you’re wondering what I am talking about, here’s what the festival website has to say:

“For the past 25 years, the KBB Music Festival, in association with The Edge® Public Programmes, has been showcasing the best in secondary school orchestras, concert bands and jazz bands in Auckland. From the small numbers in the original Auckland Secondary Schools Band and Orchestra Festival, the KBB Music Festival has now grown to see over 100 groups competing from more than 40 schools across the greater Auckland region.”

It was a fantastic few days of music. I saw two full days out of the four days of the festival. Always interesting to see what others are doing, taking a mental note of ideas for next years’ possibilities and also observing how others lead their groups.

I had three groups competing in the festival this year – the Carmel Chamber Orchestra, Carmel Orchestra and the Kristin Symphonia. All did reasonably well and each picked up a Bronze award at last night’s (three hour epic) gala concert.

On the last day I had the pleasure of working with four groups at the Fringe Festival. These are groups under development or not quite meeting the full festival requirements. The whole point is to provide encouragement and constructive feedback to get them primed, pumped and ready for year ahead.

Big thanks to administrator and chairperson David Squire for another seamlessly run festival and for his eighteen years on the committee. This was his last year of involvement with the festival. Also, of course, much thanks to these two:

• Guardians of the North wind orchestra
• Heedless Conclusions for SATB choir
• In Their Light for string quartet
• Moana Ataahua for orchestra with SATB choir
• Rakaia for full orchestra
• Reclusion for mixed chamber septet
• Somnium for full orchestra
• Subsidence for full orchestra
• The Attic for string ensemble
• The Attic for flute, clarinet in A, violin I, violin II, viola, violoncello and double bass
• This Day for piano solo
• Through my eyes, I see for piano and percussion
• Wild Daisies for SSA choir

If they don’t have it, then contact me and I will sort you out no problem!

Here are some photos of the concert and a video of The Attic performance (taken by Laira Dalileia):

Recently I signed up to SoundCloud, interested to see exactly what it was all about. I really, really like it.

It describes itself as the following:

SoundCloud lets you move music fast & easy. The platform takes the daily hassle out of receiving, sending & distributing music for artists, record labels & other music professionals.

I am still only new, but have been uploading some tracks and am using it to power my music player, and soon will use its’ smallest widget to place short samples in my catalogue. It’s also easy to embed single samples in emails, pages and blog posts, like here:

Wild Daisies by ryanyouens

The receiving and sending of music is a service I have yet to require but with a beautiful drop box which you can embed on your own site, I can see this will be an easy process, just like using every other service.

There are various plans including of course a free account, and they are limited by duration, not by file size. Hallelujah! So you don’t have to think twice about uploading your beautiful high quality recording.

What I really like is that it is set up for music professionals and there really is no attraction for others. It has great social features so there is the ability to upload a track, mark it as a work in progress, share it only between your friends and get feedback. When commenting on a track, you can select at any duration and comment there. For example, at 1:39 you may wish to say “Ryan, what’s the chord here? It’s crazy!”.

There is a nice mix of genres, everything from DJ’s to real music – classical, film and contemporary. Also an increasing amount of New Zealander’s on there which is good to see.

So many beautiful features so take a tour here or sign in and follow my music here.

The Auckland Wind Orchestra and conductor Ryan Youens are proud to present Breathe In, Breathe Out – a concert of overtures and finales – an exciting mix of all your favourites.

Bernstein – Candide Overture
Giavannini – Overture in Bb
Strauss – Gypsy Baron Overture
Rossini – William Tell Overture
Tchaikovsky – Finale from Symphony No.2
Mendelssohn – Finale from 3rd “Scottish” Symphony
Kalinnikov – Finale from Symphony No.1
Stravinsky – Berceuse and Finale from Firebird Suite

Sunday August 1st, 2:00pm – 3:30pm
Holy Trinity Church
20 Church Street, Devonport
North Shore, New Zealand

Tickets: adults $15, concessions $10, door sales only

The Auckland Wind Orchestra aims to be New Zealand’s finest community wind ensemble. We regularly stage concerts in the Auckland region, performing a broad range of musical styles to a wide audience. Our players come from all walks of life, united by the desire to have fun while making great music.

www.ryanyouens.com
www.awo.co.nz

It uses the text from Bub Bridger’s poem, Wild Daisies.

The choir was once again successful in getting through to The Big Sing Finale, along with many other choirs from around New Zealand. You can see the full list of these choirs at The Big Sing website.

Wild Daisies is notated for SSA choir and if anyone is interested in buying a copy please let me know.

Field Recorder – This is an outstanding digital recorder for the iPhone. One review of it says “Audiofile Engineering’s FiRe application is by far the most advanced stereo audio recording application we’ve seen for the iPhone and iPod Touch, going far beyond the limitations of previous go-to apps…”. It is a professional quality recorder and the list of features is huge so check out the link. It has a beautiful interface, the quality of recording is amazing, you can edit in the app and can export as WAVE, AIFF, CAF, AAC, Apple Lossless, AAC, Podcast, Ogg Vorbis and FLAC. So handy for capturing a rehearsal or auditions, taking field recordings and pretty much endless possibilities.

Dr. Betotte TC – There are many metronomes but few powered up for the music professional. Dr. Betotte TC has all the normal features of a normal metronome such as playing any time signature, beat divisions, the ability to save your tempos and settings to a playlist, tap in a tempo – but it has got so much more. For a start all of the rhythmic divisions have their own volume sliders, one click halftime feel, options for swing tempo, you can import your own audio samples and the playlist can auto advance. Some nice other features (which are so easy to access) include an alarm timer that syncs with the metronome and customisable gradual up/down, step up/down and quiet count buttons. These step up/down buttons are so handy for students learning a passage, as it gradually gets faster over time (or however you set it up). What I do like about this metronome is its visual capabilities – it’s often really unhelpful just having a “beep, beep” metronome. For learning scores or for reference in rehearsals it is so handy to just have a ticking needle, or a huge “1, 2, 3, 4, …” being counted on screen. This is by far my metronome of choice.

Stay In Tune – There are a lot of tuners available, a lot of good ones and generally they all have the same features. It’s how they deliver the features which makes the difference. Stay In Tune is my favourite – it has a wonderful, clear interface, you can also easily produce tones, calibrate and select specific tunings for different instruments. It is also one of the most accurate and gorgeous I’ve found.

Backline Calc – It’s a musical calculator and perhaps the last app you would think about looking for, but once you have it you’ll realise how handy it is. There are six categories and some examples include: Length (sum times, compare tempos, song length, beats to tempo, time to samples), Pitch (MIDI note, frequency and wavelength conversion), Timecode (frames to timecode, convert timecode), Electric (power, voltages), Acoustics (distance to time, sound pressure level, panning) and Files (file size). These are only a few examples – a very handy little app.

Chordmaster by Planet Waves – The most advanced and intelligent guitar chord reference. You can make chords easily with sliders, you can strum them and the overall interface is beautiful. It’s also nice to see a popular and well known music accessory company delving into apps.

SoundHound – We all hear a song on TV and want to know what it is and there are several apps who help you out with this, the most popular being Shazam – but these don’t go much past the novelty factor of holding the device to a speaker and finding out the song. I like SoundHound as it provides a few more features such as effectively picking up you singing personally, or you can just type the title, album, artist or lyric. Also, in the results, it provides iTunes links, all the lyrics, YouTube videos and the ability to easily share.

Karajan® – Music & Ear Trainer – Karajan is by far the finest ear trainer. It is powerful and very customisable in each of the categories – intervals, chords, scales, pitch and tempo (bpm). It has detailed statistics so is great for students using in lessons or for your own interest. Personally, I use the tempo recognition all the time (great for conducting) and the pitch recognition is handy too. The pro version is entirely worth the money. (iPad screenshot below)

Oxford Dictionary of Music – Yes, your dream has come true. The entire Oxford Dictionary of Music is available on the iPhone, iPod Touch and iPad. It has a wonderful interface, easy search and is regarded as the most up-to-date music dictionary out there. Also good to note that no internet connection is required to use the app. These guys only do dictionary apps so they know what they’re doing. This is a must.

Circle Theory – Based around the Circle Of Fifths, this is a handy reference tool. I use it mainly with students using the more straight forward functions like seeing the relationships between notes, key relationships, key signatures, intervals and triads. But I’ve also used it myself for transposing between keys, checking notes of transposed instruments and as a reference for modes. A great little app.

Virtuoso Piano – Well we have to touch on some instrument apps. I’m sure the first app any musician gets is a piano but many are very basic. My favourite is Virtuoso Piano Pro as you can have multiple keyboards, easily flick between octaves, calibration and record/play features. Another really great app.

Guitar: Play and Share – Without question this is the finest acoustic guitar app. I’ve been playing around with it a lot lately and it is wonderful. Very clever, very easy to use and the sound quality is fantastic. Loads of features and ways to customise, different guitars – who needs a real one?

I won’t mention any more instruments as there are so many good ones (and far more that are rubbish). But if you’re interested in these, the video below is a great watch. It is from the Rend Collective Experiment featuring David Crowder and they produce the whole song from iPhone instruments. Awesome.

ProRemote – This is the only app I don’t own due to the whopping price tag (NZ$124.99, US$99.99), but it gets my attention and admiration. It is a remote control for ProTools, Ableton Live, Apple Logic or Soundtrack Pro. They say it “is like having four Mackie Control Universal Pro’s but better because it is wireless and much less expensive. You get almost $5000 of hardware for the price of ProRemote.” Very impressive. (iPad screenshot below)

Well it is an amazing series of products that I hope you will all enjoy checking out and using. I have found them all to be essential with my day to day work, saving so much time and hassle. Please let me know any other feedback, any great apps I have missed or your comments.