Digital music stands vs iPads

In May 2010 I wrote a post about digital music stands (or electronic music stands) and what looked like a fantastic new product that very soon would be widely used. 22 months on, the development has been very average and so I thought we should look at where things are at and if other devices such as the iPad are becoming more common and viable for musicians.

In that original post, I mentioned that there were two ways you could go about it: either purchasing the software and the hardware in one device (MusicPad Pro, Same Page Music) or just the software to run on your own monitor or device (MusicReader). I also mentioned the eStand which (now) has both hardware and software options available.

There have been several advancements to all products, in particular to the Same Page Music device which has (sadly, I think) morphed into an overly complex and overwhelming array of features, as can be seen in these two videos: video one, video two.

To me, all of the options mentioned above still seem very unattractive – they don’t have user-friendly interfaces or ease and practicality in mind. Have a look at this promo for MusicReader:

You may have picked up on two major flaws. Firstly, the conductor for the wind ensemble had to have his device on an office desk, not a music stand. Secondly, on the floor of most ensemble was an array of cables, power boxes and so on. So, on stage they are not very practical, they take a lot of setup time and are still, generally, bulky.

In an industry where technology is moving incredibly fast, 22 months has not seen much development at all with digital music stands. Why is this?

Hello, iPad.

I don’t want to preach Apple just for the sake of preaching Apple, but let’s face it, so many musicians have iPads and there is a reason for it. They can have everything in one place, communicate with ensemble members, connect with fans – the list could be huge – and also they can have all of their music in one place. Yes, you can have all of your music stored on digital music stands of course, but you’ve probably got an iPad already for a multitude of other reasons and view and organise your music on the plane, at a cafe, wherever. On stage, just click the iPad in and you’re ready to go – no power to worry about, no cables to trip on – a separate device seems quite unattractive, doesn’t it? I think for a musician, the thought of taking another monitor or similar device to read music from would a be real burden.

This, I think, is why those standalone digital music stands that looked so exciting a few years ago, haven’t taken off like many of us assumed. As of 31 December 2011 there were over 55 million iPads sold – that’s a tough market to try and break.

Using your iPad – there are two types of apps. The first are PDF readers where you can do a lot of editing of the meta data and draw on scores etc, but you can’t actually change the music:

  • MusicReader – I mentioned MusicReader in my original post and it is still a versatile piece of software, as it can be used on Mac and PC too. They have proved themselves over the years and it allows you to draw, highlight and write on a score, but to be honest the interface is pretty rough.
  • Perform – a nice app with good features for adjusting how the score scrolls. On the pro version, it can listen to where you are and will scroll accordingly. It can also make a video of you performing – if you like that sort of thing!
  • forScore – has a beautiful interface and nice range of features. It has the forStore where you can download a lot of music or you can even download PDFs from your Dropbox account. Some nice features like thorough editing of the score, a metronome and ability to play an on screen piano.

The second type gives you more flexibility with the music:

  • Avid Scorch – once your music is in Scorch, you can transpose by interval or key. If you have a score, you can view the actual score or individual parts and change between transposed/concert pitch. You can play it back and use the mixer to adjust levels if desired.
  • Finale user? – MakeMusic have announced they are bringing out an iPad app in May. Its features seem very similar to Avid Scorch. If you’re interested, check out this video posted on their blog a few days ago.

For a daily user of Sibelius and having around 1,000 .sib files, the possibility of growth with these apps is very exciting.

If you are using an iPad, or considering one, these two devices will make you very happy indeed. The first is a product called TheGigEasy which makes it easy to mount your iPad in any environment. Check out this video:

This is a wonderful product, and I think, considering it was named by USA Today as one of the five ”Hottest Products” at this year’s NAMM Show, indicates how widespread iPad use amongst musicians really is.

You may be wondering about page turns. Well, the second device, AirTurnis taking away any worries in that area. In fact, it works via bluetooth so works with any iPad, Android, Mac or PC device. Check out the video below:

You may also be interested in this video of classical violinist Ray Chen talking about his use of the AirTurn and iPad.

So, digital music stands, I don’t think, are proving themselves as great options for musicians, whether classical or contemporary, amateur or professional – not when tablet computing is moving at such a fast pace. Maybe in another 22 months we can have a look at this topic once again – who knows where we will be then!

Thoughts, experiences and links are most welcome.

Preparing for education

Schools are back this week, and to celebrate I am introducing a new service aimed specifically at helping school music departments. Are you a school music teacher? You will want to read on!

Music preparation, notation and arranging tasks come up often – they sit on your desk, perhaps you may give it to a student to have a go at, but it’s often a job made more than it should be. Until now, that is.

We all know how ridiculously passionate I am about preparing music, so here’s an option I hope you can’t resist.

It’s simple. A job comes up, email it to me, and I’ll do it quickly and without hassle. I’ll email it back as a PDF ready for you to print or copy at your leisure.

Here are some possibilities:

  • Found the perfect piece for your group, but it doesn’t suit their instrumentation or technical ability? I can arrange it.
  • A singing student needs their piece in a different key? I can transpose it.
  • Gave out an original part and now it is missing? I can recreate it.
  • No violas? I can make your violin III part.
  • Got a sax in your orchestra or other non-standard instruments? I can create their parts.
  • Need worksheets or examples created for your resources or presentations? I can do it.
  • Have handwritten, printed or MIDI music that you need in Sibelius? I can do it.
  • Sibelius frustration? I can help.

Sound good? Visit my new schools page here and download the flyer.

There is no doubt that music departments are a hive of activity in schools. The amount of rehearsals supervised, parts organised and music read every week is astonishing. Hopefully in 2012 I can help to take the pressure off.

Shout-out to VaultPress

I hope that somebody other than me noticed that my website has been down for a couple of days(!) There was a rather disastrous situation on Saturday night (NZ time) where I temporarily lost everything. However, I feared not, as I use VaultPress for my backups.

“VaultPress keeps your site safe. Every post, picture, and page. Every comment, revision, and setting. Everything.”

Due to some issue on my site or server I wasn’t able to restore it myself as you would usually be able to do easily. I submitted an “emergency” issue but I had to wait until Tuesday morning (NZ time) for the VaultPress support to come back online! Tuesday morning came and right on cue Brian emailed me. Within about an hour he had found and fixed the problem and restored my website.

So, I must give a shout-out to VaultPress and the superb service they offer. They say they are:

“The world’s best WordPress security, backup, and support.”

…and I think it might be the perfect truth. If you have a website or blog using the WordPress platform and your data is important to you, then VaultPress is the way to go.

2011 through the eyes of a blog

And just like that, another year is gone! Here is a look at my posts for the year.

The blogging year started in March with my favourite book arriving, “Behind Bars”, which I preordered in 2010. It is definitely the most used book on my shelf! I then talked about two approaching projects:

In April I introduced my new work, “blimp”, and reviewed two projects – a song I helped a friend create and my work at the BOP music school:

May was a busy month, so in June I talked about what I had been up to – writing 31 microscores and the premiere of “blimp”:

In July I posted the video I worked on with Sideways Productions:

In August and September I covered my involvement in the KBB Music Festival and some composition tutorials that I held in Kerikeri:

October was the kick off of the Rugby World Cup here in New Zealand, I talked about my involvement in the opening ceremony and also made a post about what exactly I do when “preparing music” and why you would need someone like me to do it:

December means Christmas and I posted some Christmas carols that I prepared for my students. I also composed a new “holiday” piece for my Christmas post:

Happy New Year everyone, bring on 2012!

Happy Holidays

It is that time of year again – the crazy season! I hope it has been a wonderful year for you.

A big thank you to everyone I have worked with this year and to those who have supported my music in some way. 2012 is shaping up to be a very exciting year with some amazing projects in the pipeline, so stay tuned!

A reminder that you can download the 17 Christmas carols I collated and edited for violin and viola through this post here. Enjoy.

Also, be sure to check out my piece below, “A holiday thought” – some thoughts I put to music for this holiday season:

As always, keep in touch over the break at either facebook.com/ryanyouens or twitter.com/ryanyouens.

Merry Christmas.

Christmas carols for violin and viola

Christmas is getting close and no doubt you are in the mood to play some Christmas music or your students are asking for some!

Recently I collated and edited 17 Christmas carols for my students to play through this season. The carols, in order, are:

  • Angels we have heard on high
  • Joy to the world!
  • O little town of Bethlehem
  • We wish you a merry Christmas
  • It came upon the midnight clear
  • O come, O come Emmanuel
  • O come, all ye faithful
  • Jingle Bells
  • O Holy Night
  • Away in a manger
  • God rest you merry, gentlemen
  • Silent Night
  • While shepherds watched
  • Hark! the herald angels sing
  • Once in Royal David’s City
  • We three kings
  • The First Nowell

There is a version for violin and one for viola and can be read without trouble by younger students as well as providing a lot of enjoyment for more advanced players. They are set clearly on each page along with dynamics and bowing where required.

You are welcome to download either copy (PDF document) and enjoy playing or passing on to a student or friend.

Enjoy and Merry Christmas.

Music preparation – what and why!

I often talk to people who are surprised at the types of music preparation jobs that can be done, so I thought I’d dedicate a post to talking about my work as a copyist and what I can do for you!

Why do people need someone else to prepare their music? Can’t you just do it yourself? What do you pay for?

  • Expertise. Those experienced in music preparation have the eye to prepare beautifully clear and accurate music, and the ability to spot and resolve potential issues prior to it being rehearsed or performed. They also have extensive knowledge of theory and notation, the styles and conventions of different genres and specific requirements of different orchestras.
  • Meeting a deadline. Music preparers often get the music incredibly late (or be working on the start as the composer finishes the end!) and a deadline has to be met. Just recently I worked through the night to prepare the score and parts for a piece and a couple of hours later it was being rehearsed in Paris.
  • Efficiency. With extensive software knowledge, work can be done considerably faster and without hassles.
  • Assurance. You can pay many thousands of dollars to have musicians sitting there ready to record your music, or you could have worked hard for many years to have an orchestra perform it in a concert. Whatever context, when the players sit down or the conductor studies his score you need the assurance that everything is clear, accurate and very simply – it must work!
  • Ability. Many composers still write by hand and then pass it on to be prepared. Likewise, many composers and musicians don’t know how to write notated music, and will pass on MIDI files from other software to be notated.
  • Independence. To publish your music, traditionally you would have had to pass your music over to a publisher to have it expertly typeset and prepared. But you would have had all of the commitments of having a publisher and would only get a fraction of sales. Now, with composers having their own websites, people are publishing themselves and just need their music expertly typeset, edited and proofread – that’s where we come in.

What sort of things can be done?

  • Typeset music from handwritten manuscripts (or scribbles!).
  • Edit and/or proofread music that is already set.
  • Prepare instrumental parts – sometimes just as PDFs and emailed, other times I can provide the library service where I will print/copy and organise/distribute the parts at rehearsals/recording sessions.
  • Singers often need their pieces in a different key – I can transpose these with a very quick turnaround.
  • Tidy and typeset music from programs such as Logic or Pro Tools, adding all of the dynamics, articulation and other technical considerations.
  • Recreate a missing orchestral score from the instrumental parts – can be a lifesaver!
  • Transcribe music from audio.
  • Create reductions of larger scores – such as a rehearsal piano part for an opera.

How did I get in to this?

When I was studying composition with Anthony Ritchie at Otago University, he asked me if I would be interested in setting a set of Christmas carols composed by his father John Ritchie. I loved it, and gradually discovered that this area could in fact be a career in itself.

Kicking off the Rugby World Cup 2011

The biggest sporting event to ever hit New Zealand is this year’s Rugby World Cup. It has been a massive success and we eagerly await the final tonight between New Zealand and France. The opening night was an amazing showcase of New Zealand and I was super proud to be involved.

Victoria Kelly was the musical director for the opening ceremony and invited me to do the copying work for all of the new music. She was writing in Logic and sent the sessions to me (via Gobbler, I LOVE Gobbler) to bring through to Sibelius where I prepared the scores and parts – tidying notation, adding articulation, dynamics and everything needed to make beautifully clear music. In three days I made:

  • 39 scores
  • 116 instrumental parts
  • 525 copies of those parts ready for the players and conductor
Here is everything on my floor, proofread and re-proofread, sorted and re-sorted, and ready to be packed up.

RWC typesetting August 2011 4

I then went to the recording sessions at York Street Studios and made sure there were parts on the stands for the beginning of each session with the Auckland Philharmonia.

What a joy!!