Scoring Avatar

“Director James Cameron wasn’t the only one who relied on technological advances to give Avatar an otherworldly feel. Award-winning film composer James Horner also broke new ground with his compelling soundtrack, relying on Pro Tools|HD and Sibelius to compose the music, orchestrate parts, and sculpt otherworldly sonic textures.”

The Avatar score – some people love it, some people hate it, but either way, this is a nice little doco about its creation. It’s not often that James Horner appears on interviews like this – well not that I’ve come across – so it’s nice to hear him speak about what he does. It also includes the legendary scoring mixer Simon Rhodes and electronic music arranger Simon Franglen talking about their contribution.

They talk about how they used the software to bring it all together, especially interesting as the score combines both orchestral and electronic elements.

It is REALLY a promo for Avid (Pro Tools and Sibelius mainly) so prepare for an onslaught of endorsements, but I enjoyed it. Let me know what you think.

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Sibelius First – if you’re so inclined

People often ask me all about Sibelius - they hear of this wonderful program and they usually then go out and buy it. But I do wonder sometimes, do they ACTUALLY need it? They have this sensationally powerful program when all they want to do is put some pieces together for a small ensemble or make some music examples for their newsletter. Even though the full version is of course a very user-friendly program to use, it did seem like a waste to me – but now there is the updated and very swish looking Sibelius First.

It’s a lightweight version of the program, but maybe that doesn’t do it justice. Perhaps it could be the “normal” version, where the original is for the advanced user.

I really like it. I downloaded the trial version so I could have a play, and for most of the day to day things you would do with the full version of Sibelius, this is well sufficient. Check out this great comparison chart to see exactly how it compares.

I have no idea how NotePad, Finale’s lightweight program, which has been around since who knows when, weighs up to its fully featured program, but I think Sibelius has a nice balance between their two versions.

I have talked to Computer Music here in NZ and they are shipping it for NZ$280 (incl. GST), although they are currently still waiting on their stock. You can of course buy it only at the impressive Avid Store. It will be interesting to see how well it sells next to the full version which is often at a great educational price of NZ$550. I guess we will wait and see.

Well, whatever version, happy composing!

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Blogs – read, write, sing, play

I have a routine: every morning I wake up, lean over and pick up my iPhone, I check the news, then I read all of the latest feeds from my favourite blogs. The blogs are music ones of course, and for years I have been filtering through them and the ones I like are the ones that stay. I use the term of “blog” rather loosely – some of these are actual blogs, some are more updates and news, but all just as interesting and worthwhile. Just a note, the links are to the actual RSS feed, not to the website, so they will open in your RSS reader.

  • Sibelius Blog: A must if you’re a Sibelius user. News, interviews, the latest movies to be scored on Sibelius, tips and more. Run by Daniel Spreadbury, Sibelius’s Senior Product Manager.
  • The Electric Semiquaver: All about writing with music notation software. The first line of his latest blog sums it up very well: “How music notation software can both assist, and completely destroy, musical texture.”
  • CompositionToday: Nice updates, news and resources about and for classical composers.
  • Musical Perceptions: “Perceptions about music, perceptions that affect music, perceptions colored by music, perceptions expressed by music”.
  • Echoes: They are disc manufacturers for independent artists but it’s a really nice blog of “insights for independent artists”.
  • New Music Strategies: Self explanatory.
  • Professional Orchestration: Nice feed on all topics related to orchestration.
  • Scoring Sessions: The feed from what I think you all know is one of my favourite websites.
  • Soundtrack.net: Feed of reviews and news of film soundtracks by Dan Goldwasser.
  • Sequenza21/: Great feed of news and reviews from this contemporary classical music community.
  • The Naxos Blog: Sounds a bit heavy – it’s not. Got great blogs and news articles.
  • Apple Creative Professionals: If you’re a mac lover you’ll have to have this one.
  • ryanyouens.com | blog: Am I allowed to put this on here?

While you’re at it, these are two well updated and completely essential news feeds:

Well, enjoy. If you have your own favourites, or any in particular that you can’t live without … let me know.

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Sibelius: How it compares, version 6 and composing with software

Well I often get asked what is the difference between Sibelius and Finale, which one is better and so on. So I thought I’d post a blog to put my views down and also to share some links which I think are just wonderful.

Basically, my view is that Sibelius is a musician’s program. It is intuitive and works as you’d want it to work. Finale is a programmer’s program, it is powerful like Sibelius, but doesn’t have the same ease of use. Despite an odd but common belief, as a Sibelius user there is nothing I have not found that I am able to do. As a copyist I tend to work the program hard, and so far to great success. There are of course a few features that differ, these do tend to be in favour of Sibelius. In the past Sibelius has been dominant in Australasia, Europe and the UK, and Finale was dominant in the Americas. This is changing, with Sibelius becoming very popular in America and Finale working it’s way into the UK. Some publishers and copying houses swear by Sibelius, others with Finale, so perhaps it is becoming a fair share between the two companies. I won’t get too deep into specifics because Daniel Spreadbury, the senior product manager for Sibelius, has a superb blog which answers all possible questions on this topic. A recent entry covers the specifics on this topic, where Sibelius leads, it’s unique features, and why it’s the copyists’ choice, engravers’ choice and teachers’ choice.

www.sibeliusblog.com/opinion/why-choose-sibelius-over-finale/

What has brought Sibelius further into dominance as the world’s leading notation program, is their recently released Sibelius 6. Another great blog is Daniel’s two-part introduction to this new version. In part one he talks about the story behind Sibelius 6.

www.sibeliusblog.com/opinion/the-story-behind-sibelius-6-part-1/

In part two he describes how they approached the development of their three biggest goals, Classroom Control, Versions, and their Keyboard and Fretboard windows.

www.sibeliusblog.com/opinion/the-story-behind-sibelius-6-part-2/

Also related to this is a great new blog by Kenneth Froelich who is the Assistant Professor in Music Composition at California State University, Fresno. It is about composing with music software. He puts it that “as both a composer and a teacher of music composition, I have seen many of the missteps, pratfalls, and outright disasters that tend to come about from writing music on the computer. However, through my own personal experience, as well as working directly with my students, I have come up with several strategies and pedagogical approaches to help young composers recognize and overcome the traps that tend to hinder successful “computer composition”.” It will be an interesting blog to keep an eye on.

electricsemiquaver.blogspot.com/2009/06/overcoming-sibelius-or-finale.html

I hope this is interesting reading for all of you. Enjoy.

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Sibelius 5 … wohoo!!!

How exciting, Sibelius 5 has just been released. I have ordered my version.
Sibelius 5

WOAH exciting!!

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John Williams’ Jurassic Park / Sibelius’ Symphony No.3

Ok as I’m sure most of you know, most of John Williams’ film scores are taken from classical works … in fact basically all of them. Anyway last night was at a NZSO concert and I swear in Sibelius’ 3rd Symphony, there were FOUR themes from John Williams’ Jurassic Park. Has anyone else recognised these?? Or was I just hearing things?? Let me know…

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