Just add an orchestra and … magic!!

Well there’s one thing that always gets me going. Gets me so excited that I want to start a project such as that myself. It is orchestral collaborations with bands etc. Just love it. Some “purists” hate it, but they are just boring. To me, they are something that the players love, because they are at long last doing something new and fresh, and the audiences love it because of too many reasons to note. Of course also, it brings a whole new audience to an “orchestra” concert.

These were popularised firstly I guess by the legendary Michael Kamen. He orchestrated and conducted so many concerts, including ones with Pink Floyd, Queen, Eric Clapton, Aerosmith, David Bowie, Bryan Adams, Sting and Metallica. The latter, I think, is absolutely amazing. See a track from it here. It is so wonderfully orchestrated and put together. Of course the huge full size orchestra makes it all the more better.

MANY of these happen each every year and I wish there was some place where I could keep track of them all. Another one I found was a recent one from the UK. This orchestra is much smaller in size, but still, it’s an orchestra. This one is The Bays, who are an improvisation kinda band, who teamed up with The Heritage Orchestra in Liverpool. They also do some amazing stuff with how the orchestra players get their music … check it out.

Finally, I can’t leave without mentioning a little homegrown talent. John Psathas recently arranged all the music for a Little Bushmen / Auckland Philharmonia gig. I couldn’t make it to the concert, but have watched the documentary, and it’s fantastic. It’s a three part doco which starts here, but if you want to go straight to the final concert, see that here.

Well I’ve only briefly mentioned three, so do let me know if you have any favourites.

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Orchestral Workshops

I’ve been thinking about a few things to do with orchestral workshops. Firstly, some pieces make the orchestra do silly, cheesy or comical things which are musically totally unnessary. This is not saying things need to be “serious serious” … of course, but the ideas need to be set within a “real” musical context. I’ve heard a few things lately in pieces, but they just cheapen the music so much. Personally, I don’t feel as though its a joke to be getting the NZSO … for example … to do stupid things. I may be wrong … let me know.

Secondly, the lack of respect for the players has been driving me nuts. There have been numerous examples of composers during rehearsals talking condescendingly and with no respent towards the orchestra. This drives the players crazy. I was talking to a player in the Auckland Philharmonia, and they as well have had some examples of this lately.

I don’t know, I mean, these are professional orchestras, and it costs a HECK of a lot of money to have them operating. Also the players are often rehearsing for many hours on end. I guess I’m just wondering how necessary it is for the presence of these two elements. I just think that composers should fully respect any professional performers they are working with and they should treat orchestral workshops as a rare and an extreme privilege.

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National Youth Orchestra 2006

Well tonight I went to the 2006 NYO concert (NZ National Youth Orchestra). The first of three concerts, the others in Auckland and Christchurch. It was also the premiere of Claire Cowan’s new work “Trains of Thinking” (see her site here).

Anyway, WOW, concert was fantastic. The highlight by far was Shostakovich’s Symphony No.10. It was really well played. The strings this year are incredibly tight and are HUGE. I think I counted 12 violas. THATS AWESOME. The percussion as well was great – it’s a great symphony for the percussion. Anyway Claire’s piece was amazing. She’s always so original and innovative – absolutely loved the piece. Make sure you visit her site here.

Of course afterwards it was fantastic to catch up with everyone from years past.

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