KBB Music Festival 2010, thumbs up

As of last night, the 2010 KBB Music Festival is officially over. Today I’m sure many musical directors are joining me in breathing a well-earned sigh of relief.

If you’re wondering what I am talking about, here’s what the festival website has to say:

“For the past 25 years, the KBB Music Festival, in association with The Edge® Public Programmes, has been showcasing the best in secondary school orchestras, concert bands and jazz bands in Auckland. From the small numbers in the original Auckland Secondary Schools Band and Orchestra Festival, the KBB Music Festival has now grown to see over 100 groups competing from more than 40 schools across the greater Auckland region.”

It was a fantastic few days of music. I saw two full days out of the four days of the festival. Always interesting to see what others are doing, taking a mental note of ideas for next years’ possibilities and also observing how others lead their groups.

I had three groups competing in the festival this year – the Carmel Chamber Orchestra, Carmel Orchestra and the Kristin Symphonia. All did reasonably well and each picked up a Bronze award at last night’s (three hour epic) gala concert.

On the last day I had the pleasure of working with four groups at the Fringe Festival. These are groups under development or not quite meeting the full festival requirements. The whole point is to provide encouragement and constructive feedback to get them primed, pumped and ready for year ahead.

Big thanks to administrator and chairperson David Squire for another seamlessly run festival and for his eighteen years on the committee. This was his last year of involvement with the festival. Also, of course, much thanks to these two:

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Breathe In, Breathe Out – a concert of overtures and finales

The Auckland Wind Orchestra and conductor Ryan Youens are proud to present Breathe In, Breathe Out – a concert of overtures and finales – an exciting mix of all your favourites.

Bernstein – Candide Overture
Giavannini – Overture in Bb
Strauss – Gypsy Baron Overture
Rossini – William Tell Overture
Tchaikovsky – Finale from Symphony No.2
Mendelssohn – Finale from 3rd “Scottish” Symphony
Kalinnikov – Finale from Symphony No.1
Stravinsky – Berceuse and Finale from Firebird Suite

Sunday August 1st, 2:00pm – 3:30pm
Holy Trinity Church
20 Church Street, Devonport
North Shore, New Zealand

Tickets: adults $15, concessions $10, door sales only

The Auckland Wind Orchestra aims to be New Zealand’s finest community wind ensemble. We regularly stage concerts in the Auckland region, performing a broad range of musical styles to a wide audience. Our players come from all walks of life, united by the desire to have fun while making great music.

www.ryanyouens.com
www.awo.co.nz

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Conducting – 90% perspiration, 10% exhilaration

Schools have just started again and that means my orchestras have also. Sensational! I have been reminded, however, of the huge amount of preparation required to get them underway. Repertoire, auditions, photocopying, sweet-talking, begging, music sorting, rehearsal setup and pack down, chasing up students, score preparation, rehearsal camps – by the time I hit the podium ready to do some real work I’m more ready for a nap than a rehearsal. Still though, every time the tuning A sounds and a hush filters across the ensemble, I, amongst the exhilaration, seem to remember exactly why we are there, why we love it and why all of this perspiration is all of a sudden completely and utterly worth it.

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A day with Sphaera

Recently in São Paulo, Brazil, I had a great time working with the very fine Sphaera Ensemble and writing with their conductor and arranger Alexey Kurkdjian. I got to know these guys a few years ago and since then have done several arrangements for them and in 2009 they had two of my pieces in their repertoire, giving several performances. Initial plans were made to have a concert together, but early on we decided to take a different path. We decided to get together for a day and rehearse my music, introduce some NZ classics and then make a recording of our work together. This I was very happy with.

The Sphaera Ensemble consists of:

  • Bebel Ribeiro – Flute
  • Will Tomao – Clarinet
  • Alexey Kurkdjian – Violin I
  • Luiz Cadorin – Violin I
  • Mariana Ribeiro – Violin II
  • Wagner de Souza – Viola
  • Pablo de Moraes – Violoncello
  • Douglas de Freitas – Double Bass

The music we worked together on was:

  • Reclusion (2005, revised 2009)
  • In Their Light (2008)
  • The Attic (2005, revised 2009)
  • Pokarekare Ana (arr. Ryan Youens 2009) – classic, they loved it.
  • Te Haranui (arr. Ryan Youens 2009) – it was Christmas after all, went down a treat.

It was wonderful to meet the players and have a very productive and rewarding afternoon. They will perform my three pieces as part of their 2010 repertoire. During the afternoon I even managed to get a new piece requested by Will Tomao and his clarinet and double bass duo, Sopro do Contra.

The second project for the trip was a collaboration between Alexey Kurkdjian and myself. The piece is to be premiered at the major New Music Festival in Brazil during August/September 2010, and is for solo violin, flute, clarinet, two violins, viola, cello, contrabass, electric guitar and drums. Fun! Over the week I was there we worked on the piece most days and it shaped up extremely well. It’s a wild fusion between Brazilian and New Zealand rhythms and harmonies. Stay tuned for more on this project.

Some photos from our day together (for the full album visit here):

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20091220 Sphaera W-126 copy

Sphaera Ensemble, conductor Ryan Youens, 20th December 2009, São Paulo, Brazil. Photos by Laira Dalileia and Wendy Youens.

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The winds recede

Sunday’s concert, “North Winds, South Winds”, was a success. Thanks very much to all those who came and supported – it was a very impressive, receptive and appreciative audience.

It was a challenge putting on such a demanding programme, but the orchestra definitely rose to the occasion and did a fantastic job. It is horrifying to realise that the time signature changes totaled around 160, and the tempo changes also added up to something drastic. Looking back, I thought it was a shame that we didn’t get to run the pieces more during the rehearsal period and hear them in their entirety, as some certainly aren’t done justice until done so. But I guess, we always have the best intentions.

North Winds, South Winds 2

It was very refreshing seeing so much New Zealand music being performed, AND with five of the eight composers being present. It was great having the older works which have been widely performed, alongside two premieres, and other works by younger composers. I had a few comments saying that NZ music is in very safe hands … which it is … of course. Judging from feedback, it seems the audience had a great time. I think they really enjoyed the balance in the programme, the top standard and of course the intros (thanks Harold).

It was a joy working with the wind orchestra. They have a wonderful committee which seem to take care of absolutely everything. The standard is excellent and I hope that I can work with them again sometime in the future.

North Winds, South Winds 1

My piece, Guardians of the North, went well. I placed it at the end of the programme, which could have been trouble after the workload before it, but it sounded great. I had made several revisions since its premiere in 2007, including a new ending, which I was very happy about. It now seems to sit more comfortably with the players, which is definitely a good thing.

The “North Winds, South Winds” have definitely receded, but what a breath of fresh air! Another concert down, more New Zealand music is in the mix – that makes me happy.

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Auckland Wind countdown

North Winds, South Winds 5

Three days to go, final rehearsal tonight, can’t wait. I hope to see many of you there at the concert on Sunday.

I had an interview on Radio NZ Concert earlier this week about the concert and other projects – listen to it here.

Until Sunday…

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