Reconstructing the constructed

Over the last week I have been revisiting an old work of mine, re-orchestrating, re-arranging and re-discovering. What a blast. I have never done it before, well not to this degree where I have completely left it for several years. In some ways it is rather strange, to revisit what I was thinking – the way I orchestrated seems rather odd, but back then I thought it was marvelous. I have:

  • Taken out some chunks, added a few bars and written a new ending.
  • Removed some of the percussion instruments and have incorporated that material into other instruments.
  • Stripped some passages right back and have re-grown with some new material.
  • Overall I have refined the orchestrations, which I was never truly happy with, and have made it a much sturdier piece.

I generally like to leave a piece once it’s done, and give my energy to a new project. But, since I was given the opportunity, I have greatly enjoyed the process and have learnt truckloads. The piece is definitely still the piece it always was, but now it has a little extra spice, character and finesse.

The piece is Guardians of the North, which was written for, and premiered by the Opononi Music Summer School in 2007 with help from Creative New Zealand funding. This thoroughly revised version will be performed by the Auckland Wind Orchestra on the 18th October, 2009 at Aotea Chapel on Queen St in Auckland.

  • http://www.waihekepianotrio.com Brently

    I know the feeling Ryan. I been thinking about Mahler a lot lately. He destroyed a lot of his teenager creations when he decided to grow up and be so boring and serious. However, a piano quartet movement did somehow miraculously survive. Next Music Month of May 2010 I’d like you & your viola to join the WPT to perform it. Possible? Christina may have (un?)fiddled the WPT into extinction by then and I may have forgotten to wake up one morning…in order to keep breathing. But all things being equal (and they never are) do you think it is doable?